Age: 57
male
Owen Cunningham Wilson (born November 18, 1968) is an American actor. He has had a long association with filmmaker Wes Anderson with whom he shared writing and acting credits for Bottle Rocket (1996), Rushmore (1998), and The Royal Tenenbaums (2001), the last of which earned him a nomination for the Academy Award and BAFTA Award for Best Screenplay. He has also appeared in Anderson's The Life Aquatic with Steve Zissou (2004), The Darjeeling Limited (2007), The Grand Budapest Hotel (2014), and The French Dispatch (2021). Wilson also starred in the Woody Allen romantic comedy Midnight in Paris (2011) as unsatisfied screenwriter Gil Pender, a role which earned him a Golden Globe Award nomination. In 2014 he appeared in Paul Thomas Anderson's Inherent Vice, and Peter Bogdanovich's She's Funny That Way. Wilson is also known for his career as an onscreen comedian and member of the Frat Pack including starring in such comedies as Zoolander (2001), Starsky & Hutch (2004), Wedding Crashers (2005), You, Me and Dupree (2006), How Do You Know (2010), The Big Year (2011), and The Internship (2013). He is also known for the family films Marley and Me (2008), and the Night at the Museum film series (2005–2014). He voices Lightning McQueen in the Cars film series (2006–present), Coach Skip in Fantastic Mr. Fox (2009), the title character in Marmaduke (2010) and Reggie in Free Birds (2013). He stars as Mobius M. Mobius in the Disney+ series Loki (2021–present). Wilson's accolades include an Oscar and BAFTA nomination for Best Original Screenplay (for The Royal Tenenbaums), a Golden Globe and two SAG acting nominations (for Midnight in Paris and The Grand Budapest Hotel) and an Independent Spirit Award (for Inherent Vice). Description above from the Wikipedia article Owen Wilson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Owen Wilson
Augustine the First
for Augustine the First in Gideon the Ninth
Suggested by poppydunning
The Emperor needs necromancers. The Ninth Necromancer needs a swordswoman. Gideon has a sword, some dirty magazines, and no more time for undead nonsense. Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as arcane revenants. The result is a heart-pounding epic science fantasy. Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service. Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die. Of course, some things are better left dead.
