Age: 67
male
Shaun Mark Bean (born 17 April 1959) is an English actor. After graduating from the Royal Academy of Dramatic Art, Bean made his professional debut in a theatre production of Romeo and Juliet in 1983. Retaining his Yorkshire accent, he first found mainstream success for his portrayal of Richard Sharpe in the ITV series Sharpe, which originally ran from 1993 to 1997. Bean's film roles include Patriot Games (1992), GoldenEye (1995), Ronin (1998), Don't Say a Word (2001), The Lord of the Rings trilogy (2001–2003), Equilibrium (2002), National Treasure (2004), Troy (2004), Flightplan (2005), North Country (2005), The Island (2005), Silent Hill (2006), Percy Jackson & the Olympians: The Lightning Thief (2010), Black Death (2010), Jupiter Ascending (2015), and The Martian (2015). His television roles include the BBC anthology series Accused, Broken, Game of Thrones, and the ITV historical drama series Henry VIII and Legends. As a voice actor, Bean has been featured in the video games The Elder Scrolls IV: Oblivion, Sid Meier's Civilization VI, and the feature films Wolfwalkers and Mummies among others. Bean has also been the main voice over for O2 and their adverts for over 20 years having originally taken the job in 2002. In 2022, Bean won the British Academy Television Award as Leading Actor in Time, a BBC One drama.
Sean Bean
Richard Prescott
for Richard Prescott in GEARS OF WAR (Live Action Film)
Suggested by maxmazzotti
When the Locust emerge from hellish depths to drag humanity into a suffocating nightmare, war‑scarred Marcus Fenix leads Delta Squad into a city drowning in bloody despair—walls weep, lamplight flickers in toxin‑stained corridors, and every chainsaw‑bayonet finisher is a ritualistic act of visceral salvation. The clang of bone‑splintering executions echoes through crimson shadows while dual‑wielding Lancers carve lethal ballistic dances reminiscent of Hong Kong gun‑fu, and martial moves snap with the merciless precision of Timo Tjahjanto’s gore‑driven choreography. Hallways flood with gore à la Project Wolf Hunting as explosions engulf the globe—landmarks disintegrate, continents burn, and civilization fractures beneath infernal bombardments. Amid the madness, Marcus teeters on the edge of psychological collapse—visions of his fallen family haunt his Lancer sights, and Delta Squad’s survival hinges on a leader flirting with delirium. Dom Santiago, consumed by grief and PTSD, begins hallucinating Maria and their lost children, spiraling into a mental break that echoes his tragic destiny—mirrored in fractured flashbacks and desperate, dying pleas. This is Gears of War in its blackest terror—live‑action horror‑noir born from annihilation, drenched in gore, fueled by vengeance, and executed with operatic brutality and psychological breakdown at apocalyptic scale.
