Age: 51
female
Hannah Waddingham (born 28 July 1974) is an English actress, singer and television presenter. She is known for playing businesswoman Rebecca Welton in Ted Lasso (2020–2023), for which she won a Primetime Emmy Award for Outstanding Supporting Actress in a Comedy Series in 2021 and the Critics' Choice Television Award for Best Supporting Actress in a Comedy Series in both 2021 and 2022. She has also appeared in several West End shows, including Spamalot, the 2010 Regent's Park revival of Into the Woods and The Wizard of Oz as the Wicked Witch of the West. She has received three Olivier Award nominations for her work. Waddingham's film work includes the film adaptation of Les Misérables (2012), the psychological thriller Winter Ridge (2018) and the action comedy The Fall Guy (2024). Other notable television roles include playing Tonya Dyke in Benidorm (2014), Septa Unella in the fifth season of the HBO series Game of Thrones(2015–2016), Jax-Ur in Krypton (2018–2019) and Sofia Marchetti in Sex Education (2019–2023). In 2023, she co-hosted the Eurovision Song Contest. Beginning in 2023, Waddingham began to expand into voice acting, portraying the snarky goddess Deliria in the animated series Krapopolis (2023-present) and earning a Primetime Emmy Award for Outstanding Character Voice-Over Performance nomination and Jinx in The Garfield Movie. Description above from the Wikipedia article about Hannah Waddingham, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Hannah Waddingham
Myrrah
for Myrrah in GEARS OF WAR (Live Action Film)
Suggested by maxmazzotti
When the Locust emerge from hellish depths to drag humanity into a suffocating nightmare, war‑scarred Marcus Fenix leads Delta Squad into a city drowning in bloody despair—walls weep, lamplight flickers in toxin‑stained corridors, and every chainsaw‑bayonet finisher is a ritualistic act of visceral salvation. The clang of bone‑splintering executions echoes through crimson shadows while dual‑wielding Lancers carve lethal ballistic dances reminiscent of Hong Kong gun‑fu, and martial moves snap with the merciless precision of Timo Tjahjanto’s gore‑driven choreography. Hallways flood with gore à la Project Wolf Hunting as explosions engulf the globe—landmarks disintegrate, continents burn, and civilization fractures beneath infernal bombardments. Amid the madness, Marcus teeters on the edge of psychological collapse—visions of his fallen family haunt his Lancer sights, and Delta Squad’s survival hinges on a leader flirting with delirium. Dom Santiago, consumed by grief and PTSD, begins hallucinating Maria and their lost children, spiraling into a mental break that echoes his tragic destiny—mirrored in fractured flashbacks and desperate, dying pleas. This is Gears of War in its blackest terror—live‑action horror‑noir born from annihilation, drenched in gore, fueled by vengeance, and executed with operatic brutality and psychological breakdown at apocalyptic scale.
