Age: 44
female
Sienna Rosie Diana Miller (born December 28, 1981) is an American-born English actress. Born in New York City and raised in London, she began her career as a photography model, appearing in the pages of Italian Vogue and for the 2003 Pirelli calendar. Her acting breakthrough came in the 2004 films Layer Cake and Alfie. She subsequently portrayed socialite Edie Sedgwick in Factory Girl (2006) and author Caitlin Macnamara in The Edge of Love (2008), and was nominated for the 2008 BAFTA Rising Star Award. Her role as The Baroness in G.I. Joe: The Rise of Cobra (2009) was followed by a brief sabbatical from the screen amid increased tabloid scrutiny. Miller returned to prominence with her role as actress Tippi Hedren in the television film The Girl (2012), for which she was nominated for the BAFTA Television Award for Best Actress and the Golden Globe Award for Best Actress – Miniseries or Television Film. Further critical acclaim followed throughout the 2010s, with appearances in the films Foxcatcher (2014), American Sniper (2014), Mississippi Grind (2015), The Lost City of Z (2016), Live by Night (2016), and American Woman (2018), as well as the miniseries The Loudest Voice (2019).
Sienna Miller
Anya Stroud
for Anya Stroud in GEARS OF WAR (Live Action Film)
Suggested by maxmazzotti
When the Locust emerge from hellish depths to drag humanity into a suffocating nightmare, war‑scarred Marcus Fenix leads Delta Squad into a city drowning in bloody despair—walls weep, lamplight flickers in toxin‑stained corridors, and every chainsaw‑bayonet finisher is a ritualistic act of visceral salvation. The clang of bone‑splintering executions echoes through crimson shadows while dual‑wielding Lancers carve lethal ballistic dances reminiscent of Hong Kong gun‑fu, and martial moves snap with the merciless precision of Timo Tjahjanto’s gore‑driven choreography. Hallways flood with gore à la Project Wolf Hunting as explosions engulf the globe—landmarks disintegrate, continents burn, and civilization fractures beneath infernal bombardments. Amid the madness, Marcus teeters on the edge of psychological collapse—visions of his fallen family haunt his Lancer sights, and Delta Squad’s survival hinges on a leader flirting with delirium. Dom Santiago, consumed by grief and PTSD, begins hallucinating Maria and their lost children, spiraling into a mental break that echoes his tragic destiny—mirrored in fractured flashbacks and desperate, dying pleas. This is Gears of War in its blackest terror—live‑action horror‑noir born from annihilation, drenched in gore, fueled by vengeance, and executed with operatic brutality and psychological breakdown at apocalyptic scale.
