Age: 73
male
Ciarán Hinds (/ˈkɪərən/ KEER-ən; born 9 February 1953) is an Irish actor from Belfast, Northern Ireland. Hinds is known for a range of screen and stage roles. He has starred in feature films including The Cook, the Thief, His Wife & Her Lover (1989), Persuasion (1995), Oscar and Lucinda (1997), Road to Perdition (2002), The Sum of All Fears (2002), Munich (2005), Amazing Grace (2007), There Will Be Blood (2007), Miss Pettigrew Lives for a Day (2008), Harry Potter and the Deathly Hallows – Part 2 (2011), Tinker Tailor Soldier Spy (2011), Silence (2016), First Man (2018) and Belfast (2021), the last of which earned him Oscar and BAFTA nominations for Best Supporting Actor. Known for his distinctively deep voice, Hinds is also known for his voice role as Grand Pabbie, the Troll King, in the animated films Frozen (2013) and Frozen II (2019). He played General Zakharow in Red Sparrow (2018). He also portrayed Steppenwolf in Zack Snyder's Justice League (2017) and its 2021 director's cut. His television roles include Julius Caesar in the series Rome, DCI James Langton in Above Suspicion, Mance Rayder in Game of Thrones, and Captain Sir John Franklin in The Terror. In addition, Hinds appeared in season 3 of Shetland (2016), produced by ITV. As a stage actor, Hinds has spent periods with the Royal Shakespeare Company and the Royal National Theatre, and six seasons with Glasgow Citizens' Theatre. Hinds has continued to work on stage throughout his career. In 2020, he was ranked 31st on The Irish Times list of Ireland's greatest film actors. Description above from the Wikipedia article Ciarán Hinds, licensed under CC-BY-SA, full list of contributors on Wikipedia.
(from the wikipedia entry for endless - comics): They have existed since the dawn of time and are thought to be among the most powerful beings in the existence. They are distinct from and more powerful than most gods. Dream is the protagonist of The Sandman series, but all of the Endless play major roles. ... The Endless spend most of their time fulfilling their functions as embodiments of natural forces. For example, Death leads the souls of the dead away from the realm of the living, while Dream oversees the realm of dreams and imagination ("The Dreaming") and regulates dreams and inspiration. One notable facet of their depiction is that none of them are "representations" or "personifications" of their function, they simply are their function.
