
Age: 45
female
Jessica Marie Alba (/ˈælbə/ AL-bə; born April 28, 1981) is a Euro-Indigenous Latina American, European-American, and European-Canadian businesswoman, entrepreneur, actress, and model. She began her acting career at age 13 in Camp Nowhere (1994), followed up by The Secret World of Alex Mack (1994), and rose to prominence at age 19 as the lead actress of the television series Dark Angel (2000–2002), for which she received a Golden Globe nomination. Her big screen breakthrough came in Honey (2003). She soon established herself as a Hollywood actress and has starred in numerous box office hits throughout her career, including Fantastic Four (2005), Fantastic Four: Rise of the Silver Surfer (2007), Good Luck Chuck (2007), The Eye (2008), Valentine's Day (2010), Little Fockers (2010), and Mechanic: Resurrection (2016). She is a frequent collaborator with director Robert Rodriguez, having starred in Sin City (2005), Machete (2010), Spy Kids: All the Time in the World (2011), Machete Kills (2013), and Sin City: A Dame to Kill For (2014). From 2019 to 2020, Alba starred in the Spectrum action crime series L.A.'s Finest. In 2011, Alba co-founded The Honest Company, a consumer goods company that sells baby, personal, and household products. A number of magazines, including Men's Health, Vanity Fair, and FHM, have included Alba on their lists of the world's most beautiful women. Description above from the Wikipedia article Jessica Alba, licensed under CC-BY-SA, full list of contributors on Wikipedia.

(from the wikipedia entry for endless - comics): They have existed since the dawn of time and are thought to be among the most powerful beings in the existence. They are distinct from and more powerful than most gods. Dream is the protagonist of The Sandman series, but all of the Endless play major roles. ... The Endless spend most of their time fulfilling their functions as embodiments of natural forces. For example, Death leads the souls of the dead away from the realm of the living, while Dream oversees the realm of dreams and imagination ("The Dreaming") and regulates dreams and inspiration. One notable facet of their depiction is that none of them are "representations" or "personifications" of their function, they simply are their function.






