Age: 64
male
Forest Steven Whitaker (born July 15, 1961) is an American actor, producer, director, and activist. He is the recipient of various accolades, including an Academy Award, a Golden Globe Award, a British Academy Film Award, and two Screen Actors Guild Awards. After making his film debut in Fast Times at Ridgemont High (1982), Whitaker went on to earn a reputation for intensive character study work for films, such as Platoon (1986), Good Morning, Vietnam (1987), Bird (1988), The Crying Game (1992), Phenomenon (1996), Ghost Dog: The Way of the Samurai (1999), The Great Debaters (2007), The Butler (2013), Arrival (2016), and Respect (2021). He has also appeared in blockbusters, such as Panic Room (2002), Rogue One: A Star Wars Story (2016) as Saw Gerrera, and Black Panther (2018) as Zuri. For his portrayal of Ugandan dictator Idi Amin in the British historical drama film The Last King of Scotland (2006), Whitaker won the Academy Award for Best Actor. Whitaker made his directorial debut with the television film Strapped (1993), and directed the films Waiting to Exhale (1995), Hope Floats (1998), and First Daughter (2004). Apart from his film career, Whitaker is also known for his humanitarian work and activism. In 2011, he was inducted as a UNESCO Goodwill Ambassador, later receiving a promotion to Special Envoy for Peace and Reconciliation, and serves as the CEO of Whitaker Peace and Development Initiative (WPDI), a non-profit outreach program.
(from the wikipedia entry for endless - comics): They have existed since the dawn of time and are thought to be among the most powerful beings in the existence. They are distinct from and more powerful than most gods. Dream is the protagonist of The Sandman series, but all of the Endless play major roles. ... The Endless spend most of their time fulfilling their functions as embodiments of natural forces. For example, Death leads the souls of the dead away from the realm of the living, while Dream oversees the realm of dreams and imagination ("The Dreaming") and regulates dreams and inspiration. One notable facet of their depiction is that none of them are "representations" or "personifications" of their function, they simply are their function.
