Age: 69
male
Anthony Joseph Gilroy (born September 11, 1956) is an American screenwriter, director, and producer. He wrote the screenplays of The Bourne Identity (2002), The Bourne Supremacy (2004), and The Bourne Ultimatum (2007), the first three films in the Bourne film franchise. He wrote and directed the fourth film of the franchise, The Bourne Legacy (2012), as well as Michael Clayton (2007) and Duplicity (2009). He received Academy Award nominations for Best Director and Best Original Screenplay for Michael Clayton. After co-writing the Star Wars film Rogue One (2016), for which he directed uncredited reshoots, he became the creator, showrunner, head writer and executive producer of its prequel series Andor (2022–2025) on Disney+. Description above from the Wikipedia article Tony Gilroy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In 1963 Manhattan, licensing agent Stanley Weston creates a military action figure concept meant for toy shelves. But his prototype unintentionally mirrors real, classified U.S. research into adaptable, multi-role soldiers being developed for Cold War operations. When Weston presents the idea to Hasbro executive Donald Levine, it is quickly seen as both a commercial opportunity and a potential tool of cultural influence. Soon after, the concept draws attention from the CIA, where Agent Harlan Knox begins investigating whether Weston has unknowingly connected to a hidden military program. At the same time, Soviet intelligence interprets the idea as psychological warfare and responds by forming PROJECT COBRA, designed to counter Western influence through covert ideological manipulation. Weston is pulled into a growing shadow world where corporate marketing, espionage, and military experimentation overlap. He learns of a real experimental operative, JOE-1, a prototype multi-specialist soldier whose existence blurs the line between fiction and classified reality. After surviving an assassination attempt tied to escalating Cold War tensions, Weston realizes his invention is no longer a toy - it has become part of a global arms race in ideas. The U.S. quietly adopts his concept as both propaganda and operational cover, turning “G.I. Joe” into a public myth hiding real covert programs. Weston steps away, leaving behind a legacy that becomes legend.
