Age: 43
female
Elisabeth Singleton Moss (born July 24, 1982) is an American actor and producer. She is known for her work in several television dramas, earning such accolades as two Primetime Emmy Awards and two Golden Globe Awards, which led Vulture to name her the "Queen of Peak TV". Moss began acting in the early 1990s and first gained recognition for playing Zoey Bartlet, the youngest daughter of President Josiah Bartlet, in the NBC political drama series The West Wing (1999–2006). Wider recognition came for playing Peggy Olson, a secretary-turned-copywriter, in the AMC period drama series Mad Men (2007–2015). She won the Golden Globe Award for Best Actress – Miniseries or Television Film for playing a detective in the BBC miniseries Top of the Lake (2013), and she won the Primetime Emmy Award for Outstanding Lead Actress in a Drama Series and Outstanding Drama Series for producing and starring in the Hulu dystopian drama series The Handmaid's Tale (2017–present). In film, Moss has appeared in Girl, Interrupted (1999), Virgin (2003), Get Him to the Greek (2010), The One I Love (2014), Listen Up Philip (2014), Queen of Earth (2015), The Square (2017), The Seagull (2018), Her Smell (2018), Us (2019), and The Invisible Man (2020). Her theatre work includes Broadway productions of David Mamet's Speed the Plow and Wendy Wasserstein's The Heidi Chronicles. For the latter, she received a nomination for the Tony Award for Best Actress in a Play. She has also appeared in the West End production of Lillian Hellman's The Children's Hour. Description above from the Wikipedia article Elisabeth Moss, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Elisabeth Moss
Dr. Margaret “Maggie” Calder
for Dr. Margaret “Maggie” Calder in G.I. JOE: ORIGIN OF THE CODE
Suggested by nickienicks
In 1963 Manhattan, licensing agent Stanley Weston creates a military action figure concept meant for toy shelves. But his prototype unintentionally mirrors real, classified U.S. research into adaptable, multi-role soldiers being developed for Cold War operations. When Weston presents the idea to Hasbro executive Donald Levine, it is quickly seen as both a commercial opportunity and a potential tool of cultural influence. Soon after, the concept draws attention from the CIA, where Agent Harlan Knox begins investigating whether Weston has unknowingly connected to a hidden military program. At the same time, Soviet intelligence interprets the idea as psychological warfare and responds by forming PROJECT COBRA, designed to counter Western influence through covert ideological manipulation. Weston is pulled into a growing shadow world where corporate marketing, espionage, and military experimentation overlap. He learns of a real experimental operative, JOE-1, a prototype multi-specialist soldier whose existence blurs the line between fiction and classified reality. After surviving an assassination attempt tied to escalating Cold War tensions, Weston realizes his invention is no longer a toy - it has become part of a global arms race in ideas. The U.S. quietly adopts his concept as both propaganda and operational cover, turning “G.I. Joe” into a public myth hiding real covert programs. Weston steps away, leaving behind a legacy that becomes legend.
