
Age: 58
male
Michael Giacchino (/dʒəˈkiːnoʊ/ jə-KEE-noh; Italian: [dʒakˈkiːno]; born October 10, 1967) is an American film, television, and video game score composer. He has received many accolades for his work, including an Academy Award for Up (2009), an Emmy for Lost (2004), and three Grammy Awards. Giacchino is known for his collaborations with directors J. J. Abrams, Brad Bird, Matt Reeves, Pete Docter, Colin Trevorrow, Jon Watts, Gareth Edwards, Drew Goddard, J. A. Bayona, The Wachowskis, Taika Waititi, and Thomas Bezucha. His film scores include several films from the Mission: Impossible, Jurassic World, Marvel Cinematic Universe, Star Trek reboot series, eight Pixar Animation Studios films, multiple Disney films, Rogue One, The Batman, and several other films. He also composed the score for the video game series Medal of Honour and Call of Duty and the television series Alias, Lost, and Fringe. In 2018, he ventured into directing and, in 2022, directed the Marvel Studios Disney+ special Werewolf by Night. Description above from the Wikipedia article Michael Giacchino, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Michael Giacchino

Composer
for Composer in G.I. JOE: ORIGIN OF THE CODE
Suggested by nickienicks

In 1963 Manhattan, licensing agent Stanley Weston creates a military action figure concept meant for toy shelves. But his prototype unintentionally mirrors real, classified U.S. research into adaptable, multi-role soldiers being developed for Cold War operations. When Weston presents the idea to Hasbro executive Donald Levine, it is quickly seen as both a commercial opportunity and a potential tool of cultural influence. Soon after, the concept draws attention from the CIA, where Agent Harlan Knox begins investigating whether Weston has unknowingly connected to a hidden military program. At the same time, Soviet intelligence interprets the idea as psychological warfare and responds by forming PROJECT COBRA, designed to counter Western influence through covert ideological manipulation. Weston is pulled into a growing shadow world where corporate marketing, espionage, and military experimentation overlap. He learns of a real experimental operative, JOE-1, a prototype multi-specialist soldier whose existence blurs the line between fiction and classified reality. After surviving an assassination attempt tied to escalating Cold War tensions, Weston realizes his invention is no longer a toy - it has become part of a global arms race in ideas. The U.S. quietly adopts his concept as both propaganda and operational cover, turning “G.I. Joe” into a public myth hiding real covert programs. Weston steps away, leaving behind a legacy that becomes legend.