
Age: 47
male
Emmy Award winning composer Bear McCreary was first launched into pop culture with his groundbreaking score to the hit series Battlestar Galactica, that was lauded by Variety as “the most innovative music on TV today.” It “fits the action so perfectly, it’s almost devastating: a sci-fi score like no other” (NPR). Io9.com ranked McCreary one of the Ten Best Science Fiction Composers of All Time, and recently WIRED Magazine declared him one of only five “Secret Weapons” of the television industry. McCreary was recently voted “Composers’ Choice Composer of the Year – Television” by his peers in ASCAP, the first award of its kind. Bear has conducted orchestral performances of his music throughout North America and Europe, appearing at Fimucité in Tenerife, and the International Film Music Festival in Úbeda, Spain. In July 2014, his music was performed by the L.A. Philharmonic and L.A. Master Choraleat the Hollywood Bowl, conducted by Gustavo Dudamel. Attending the prestigious Thornton School of Music at the University of Southern California, Bear completed degrees in composition and recording arts. However, his professional training came from film music legend Elmer Bernstein (The Magnificent Seven, To Kill a Mocking Bird). Bear was one of Bernstein’s select protégés, and learned the tools of the trade working with and orchestrating for the maestro. Bear spent his childhood immersed in film and television music; he is delighted now to contribute back to the genres that inspired him.

For years, Freddy Krueger has been trapped in Hell and is grown weak because everyone had forgotten him since he was last seen in 2019. Desperate, he chooses the long-dead Jason Voorhees back to life by disguising himself as his loyal mother, Pamela, telling him to go to Springwood, Elm Street to kill teens there. This comes to play once Jason kills someone which creates fear throughout the town and Freddy uses that fear to gain powers again, and begins to start killing in dreams. However, he discovers he can no longer control Jason because he's overpowered and keeps killing his victims before he could. So Freddy has no choice but to fight him. Meanwhile, Springwood has been trying to cover Freddy's history by locking up anyone who knows him, and need pills to sedate their nightmares. But once there's no more of them, the teens have to survive Jason while stuggle to stay awake from Freddy. Leading to the two slashers to go after the same targets before one of two has to die.
