
Age: 30
male
Harris Dickinson (born 24 June 1996) is an English actor. He began his career in British television and had his first starring role in the drama film Beach Rats (2017), for which he was nominated for the Independent Spirit Award for Best Male Lead. He played John Paul Getty III in the FX drama series Trust (2018). Dickinson has since starred in the films Maleficent: Mistress of Evil (2019), The King's Man (2021), Triangle of Sadness (2022), Where the Crawdads Sing (2022), The Iron Claw (2023), and Babygirl (2024), along with the miniseries A Murder at the End of the World (2023). He has received two BAFTA Award nominations. Description above from the Wikipedia article Harris Dickinson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

In the frozen Arctic, Captain Robert Walton rescues Victor Frankenstein, a dying scientist pursuing a mysterious creature across the ice. Victor recounts the story of his obsession with conquering death: after losing his mother, he studies science and forbidden natural philosophy, eventually creating life from stolen human remains. Horrified by the being he has brought to life, Victor abandons him, leaving the Creature to discover the world alone. Hidden beside a rural cottage, the Creature secretly learns language, literature, compassion, and the meaning of family, only to be violently rejected when his appearance is revealed. After humanity repeatedly answers his kindness with fear and cruelty, he turns against his creator, killing Victor’s young brother and framing an innocent woman. When Victor confronts him in the Alps, the Creature begs for a companion so he will no longer be alone. Victor agrees, but destroys the unfinished female Creature when he fears the consequences of creating a new race. In revenge, the Creature murders Victor’s closest friend and later kills Elizabeth on Victor’s wedding night, leaving Victor with nothing but grief and vengeance. Their pursuit carries them across Europe and into the Arctic, where Victor finally dies aboard Walton’s ship. The Creature secretly boards the vessel, mourns the death of the man who created and abandoned him, and vows to end his own life in a funeral pyre. As he disappears into the frozen wilderness, creator and creation remain bound together by the same tragedy: a life brought into the world without love, responsibility, or a place to belong.
