Age: 62
male
The Green Goblin is the alias of several supervillains appearing in American comic books published by Marvel Comics. Created by writer Stan Lee and artist Steve Ditko, the first and best-known incarnation of Green Goblin is Norman Osborn. He has endured as one of Spider-Man's principal archenemies, alongside Doctor Octopus and Venom.[1] Originally a manifestation of chemically induced insanity, others would later take on the persona, including Norman's son Harry Osborn. The Green Goblin is depicted as a criminal mastermind who uses an arsenal of Halloween-themed equipment, including grenade-like Pumpkin Bombs, razor-sharp bat-shaped blades, and a flying Goblin Glider, to terrorize New York City. Comics journalist and historian Mike Conroy writes of the character: "Of all the costumed villains who've plagued Spider-Man over the years, the most flat-out unhinged and terrifying of them all is the Green Goblin."[2] The Green Goblin has appeared in numerous media adaptations of Spider-Man over the years, including films, animated television series, and video games. Norman and Harry Osborn were portrayed by Willem Dafoe and James Franco in Sam Raimi's Spider-Man film trilogy (2002–2007), and by Chris Cooper and Dane DeHaan in the film The Amazing Spider-Man 2 (2014). Dafoe reprised his role as Norman Osborn in the Marvel Cinematic Universe (MCU) film Spider-Man: No Way Home (2021) which used the concept of the multiverse to link the Raimi trilogy to the MCU.
It tells the sweeping tale of a desert planet called Arrakis, the focus of an intricate power struggle in a byzantine interstellar empire. Arrakis is the sole source of Melange, the „spice of spices.” Melange is necessary for interstellar travel and grants psychic powers and longevity, so whoever controls it wields great influence. The troubles begin when stewardship of Arrakis is transferred by the Emperor from the Harkonnen Noble House to House Atreides. The Harkonnens don't want to give up their privileges, however, and through sabotage and treachery they cast young Duke Paul Atreides out into the planet's harsh environment to die. There he falls in with the Fremen, a tribe of desert dwellers who become the basis of the army with which he will reclaim what's rightfully his. Paul Atreides, though, is far more than just a usurped duke. He might be the end product of a very long-term genetic experiment designed to breed a super human; he might be a messiah. His struggle is at the center of a nexus of powerful people and events, and the repercussions will be felt throughout the Imperium.
