Age: 59
female
Sophie Marceau (born Sophie Danièle Sylvie Maupu, 17 November 1966) is a French actress. As a teenager, she achieved popularity with her debut films La Boum (1980) and La Boum 2 (1982), receiving a César Award for Most Promising Actress. She became a film star in Europe with a string of successful films, including L'Étudiante (1988), Pacific Palisades (1990), Fanfan (1993) and Revenge of the Musketeers (1994). She became an international film star with her performances in Braveheart (1995), Firelight (1997), Anna Karenina (1997) and as Elektra King in the 19th James Bond film The World Is Not Enough (1999). Some of her later films tackle critical social issues such as Arrêtez-moi (2013), Jailbirds (2015) and Everything Went Fine (2021). Marceau has appeared on more than 300 magazine covers worldwide and been the face of numerous luxury brands. She was made Officer (Officier) in the Ordre des Arts et des Lettres by the Minister of Culture of France in 2003, and in 2015 it was revealed that she had refused the Legion of Honour (Ordre national de la Légion d'honneur). She was born 17 November 1966 in Paris, the second child of Simone (née Morisset), who was a shop assistant, and Benoît Maupu, a truck driver. Her parents divorced when she was nine years old. In February 1980, Marceau and her mother came across a model agency looking for teenagers. Marceau had photos taken at the agency, but did not think anything would come of it. At the same time, Françoise Menidrey, the casting director for Claude Pinoteau's La Boum (1980), asked modeling agencies to recommend a new teenager for the project. After viewing the rushes, Alain Poiré, the director of the Gaumont, signed Marceau to a long-term contract. La Boum was a hit film, with 4,378,500 tickets sold in France. In 1981, Marceau made her singing debut with French singer François Valéry on record "Dream in Blue", written by Pierre Delanoë. She rejected the main role in a soon-to-be controversial film, Beau-père, in which she would have played as a teenage girl who seduces her step-father for a sexual relationship. The role was eventually played by Ariel Besse. In 1982, at age 16, Marceau bought back her contract with Gaumont for one million French francs. She borrowed most of the money. After starring in the sequel film La Boum 2 (1982), Marceau focused on more dramatic roles, including the historical drama Fort Saganne in 1984 with Gérard Depardieu and Catherine Deneuve, Joyeuses Pâques (Happy Easter) in 1984, L'amour braque and Police in 1985, and Descente aux enfers (Descent into Hell) in 1986. In 1988, she starred in L'Étudiante (The Student) and the historical adventure film Chouans!. That year, Marceau was named Best Romantic Actress at the International Festival of Romantic Movies for her role in Chouans! ... Source: Article "Sophie Marceau" from Wikipedia in English, licensed under CC-BY-SA.
Sophie Marceau
Mnemach, Nosferatu Matriarch, “Witch of Paris”
for Mnemach, Nosferatu Matriarch, “Witch of Paris” in France by Night
Suggested by vamporilla
The events taking place in France have repercussions in a large part of Europe. The kingdom is the birthplace of Gothic cathedrals, the Grand Court and the Courts of Love. European trade is largely centered around the fairs of Champagne, whose provinois'denarius prevails throughout Europe. The ability to influence France and its powerful is essential for the politically minded Cainites of Europe. And even those who try to turn away from it are caught in its web, at the mercy of insatiable predators. The reconquests of Philippe II Auguste on the Plantagenêt territories give back to the royal domain a splendor that it had not known for centuries. The King of France is once again a powerful monarch and the young and pious Louis IX exercises his authority with the same severity as his grandfather, crushing the revolts of ambitious lords guided in the shadows by immortal creatures with long teeth. The massacres of Cainites during the Albigensian Crusade represent a most serious warning for the Damned who would think of themselves as safe, isolated in their shelters, protected by their ghouls and puppets of flesh. The Inquisition is growing at a frightening speed and the convents of the begging orders are taking over the cities, bringing danger as close as possible.
