
Age: 36
female
Danielle Brooks is an American actress whose work spans television, film, and Broadway. She first gained widespread recognition as Tasha “Taystee” Jefferson on Orange Is the New Black (2013–2019), a role that became one of the series’ emotional centers and established her as a major presence on television. She later reached a broader mainstream audience starring as Leota Adebayo in James Gunn’s HBO series Peacemaker, where her performance played a central role in the show’s balance of action, satire, and character-driven storytelling. The series marked a high-profile expansion of her work into genre television tied to DC Comics. Brooks made her Broadway debut in 2015 as Sofia in the revival of The Color Purple, earning a Tony Award nomination and winning a Grammy Award with the cast. She reprised the role in the 2023 film adaptation, a performance that brought her nominations from the Academy Awards, BAFTA, and Golden Globes, solidifying her transition into major film roles. Alongside acting, Brooks has taken on producing and hosting work. She portrayed Mahalia Jackson in the television biopic Robin Roberts Presents: Mahalia (2021), serving as an executive producer and earning a Primetime Emmy nomination. She later hosted Netflix’s Instant Dream Home, receiving a Daytime Emmy nomination for her work as a program host. Brooks has continued to balance screen and stage appearances, returning to Broadway in August Wilson’s The Piano Lesson and starring in the fantasy adventure comedy A Minecraft Movie, further expanding her range across genres.

Danielle Brooks

Patricia
for Patricia in Finlay Donovan is Killing it
Suggested by finiaydonovan

Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in chaos: the new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors. When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer, and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet . . . Soon, Finlay discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation.



