
Age: 45
male
Allen Leech (born 18 May 1981) is an Irish actor best known for his role as Tom Branson on the historical drama series Downton Abbey (2010–2015). He made his professional acting debut with a small part in a 1998 production of A Streetcar Named Desire, made his first major film appearance as Vincent Cusack in Cowboys & Angels, and earned an Irish Film & Television Awards nomination in 2004 with his performance as Mo Chara in Man About Dog. He appeared as Willi in the Queen and Peacock (2000), at the Garter Lane Arts Centre. The following years, he was in The Morning After Optimism (2001) and then Da (2002). His breakthrough film performance was in Cowboys and Angels (2003), followed by a role in the 2004 cross-country caper film Man About Dog. He played the role of Shane Kirwan in Ireland's RTÉ series Love Is the Drug (2004), for which he received a Best Actor nomination from the Irish Film and Television Awards. He followed that up with the role of Willy in the television series Legend (2006), for which he received a Best Supporting Actor nomination from Irish Film and Television Awards. In 2010, he appeared on the small screen in The Tudors (2010) as the doomed Francis Dereham. Leech also appeared in ITV 2010s television series Downton Abbey as chauffeur Tom Branson. He played the role of officer Sam Leonard in television series Primeval in 2011 in series five. He also starred in the 2012 film adaptation The Sweeney. In 2014 he starred as the spy John Cairncross, in The Imitation Game. He played Freddie Mercury's personal manager, Paul Prenter, in the biopic Bohemian Rhapsody (2018), which earned him a nomination for Outstanding Performance by a Cast in a Motion Picture at the 25th Screen Actors Guild Awards. Description above is from the Wikipedia article Allen Leech, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Ten years ago, college student Quincy Carpenter went on vacation with five friends and came back alone, the only survivor of a horror movie–scale massacre. In an instant, she became a member of a club no one wants to belong to—a group of similar survivors known in the press as the Final Girls. Lisa, who lost nine sorority sisters to a college dropout's knife; Sam, who went up against the Sack Man during her shift at the Nightlight Inn; and now Quincy, who ran bleeding through the woods to escape Pine Cottage and the man she refers to only as Him. The three girls are all attempting to put their nightmares behind them, and, with that, one another. Despite the media's attempts, they never meet. Now, Quincy is doing well—maybe even great, thanks to her Xanax prescription. She has a caring almost-fiancé, Jeff; a popular baking blog; a beautiful apartment; and a therapeutic presence in Coop, the police officer who saved her life all those years ago. Her memory won’t even allow her to recall the events of that night; the past is in the past. That is, until Lisa, the first Final Girl, is found dead in her bathtub, wrists slit, and Sam, the second, appears on Quincy's doorstep. Blowing through Quincy's life like a whirlwind, Sam seems intent on making Quincy relive the past, with increasingly dire consequences, all of which makes Quincy question why Sam is really seeking her out. And when new details about Lisa's death come to light, Quincy's life becomes a race against time as she tries to unravel Sam's truths from her lies, evade the police and hungry reporters, and, most crucially, remember what really happened at Pine Cottage, before what was started ten years ago is finished.






