
Age: 74
female
Jean Elizabeth Smart (born September 13, 1951) is an American actress. She has received numerous accolades including five Primetime Emmy Awards, a Golden Globe Award, four Critics' Choice Awards, and two Screen Actors Guild Awards as well as nominations for a Tony Award and a Grammy Award. Smart first gained prominence for her leading role as Charlene Frazier Stillfield on the CBS sitcom Designing Women, in which she starred from 1986 to 1991. She went on to win five Primetime Emmy Awards for her roles as Lana Gardner in the NBC series Frasier (2000–01), Regina Newley in the ABC sitcom Samantha Who? (2007–09), and Deborah Vance in the HBO Max comedy series Hacks (2021–present). She was Emmy-nominated for her roles in The District (2000–04), 24 (2006–07), Harry's Law (2011), Fargo (2015), Watchmen (2019) and Mare of Easttown (2021). She also acted in FX's Legion (2017–2019) and voiced Ann Possible in the Disney Channel animated series Kim Possible (2002–2007). On stage, she made her Broadway debut portraying Marlene Dietrich in the biographical play Piaf (1981). She returned to Broadway in the revival of The Man Who Came to Dinner (2000) for which she was nominated for the Tony Award for Best Actress in a Play. Smart's film credits include The Brady Bunch Movie (1995), Sweet Home Alabama (2002), Garden State (2004), I Heart Huckabees (2004), Youth in Revolt (2009), The Accountant (2016), A Simple Favor (2018), and Babylon (2022). She received an Independent Spirit Award nomination for Guinevere (1999). Description above from the Wikipedia article Jean Smart, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Jean Smart

Diane Gallagher
for Diane Gallagher in Fatal Attraction (1987 Genderswap)
Suggested by chris83

Diane Gallagher, a successful Manhattan lawyer, enjoys a seemingly perfect life with her husband Ben and son Elliot. During a business trip, she engages in a passionate weekend affair with Alec Forrest, an intelligent and alluring man she meets at a gallery opening. When Diane attempts to end the liaison and return to her family, Alec refuses to accept rejection. What begins as persistent phone calls and chance encounters escalates into a terrifying campaign of psychological and physical terror. Alec insinuates himself into Diane's life, befriending her husband, threatening her son, and destroying everything she holds dear. As the obsession intensifies, Diane finds herself trapped in a nightmare of her own making, unable to convince anyone of the danger Alec poses. The film becomes a cat-and-mouse game where Diane must protect her family from a man whose love has transformed into murderous rage, exploring themes of infidelity, obsession, and the devastating consequences of casual cruelty.





