Age: 32
male
Jordan William Fisher (born April 24, 1994) is an American singer, dancer, and actor. His self-titled EP was released by Hollywood Records on August 19, 2016. He has had recurring roles on the television series The Secret Life of the American Teenager and Liv and Maddie, supporting roles in the television films Teen Beach Movie, Teen Beach 2 and Grease Live, starred in Rent: Live on Fox, and is featured on the Moana soundtrack. He assumed the role of John Laurens/Philip Hamilton in the Broadway production of Hamilton on November 22, 2016. He played Noah Patrick in the TV series Teen Wolf. Fisher and his dancing partner Lindsay Arnold won the 25th season of Dancing with the Stars. He subsequently hosted Dancing with the Stars: Juniors in 2018, and commentated the 2019 Fortnite World-Cup. He took on the lead role of Evan Hansen in the Broadway production of Dear Evan Hansen in 2020.
Set in modern day; horror-comedy mockumentary. Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts? Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost?
