Age: 28
female
Tallulah Haddon is a live art performer and actress based in South London. A performance artist whose work frequently overlaps with cabaret, comedy, beat boxing and drag art forms, Tallulah frequently performs in a diverse range of spaces including outdoor festivals, queer performance nights and live art events. Tallulah’s work looks broadly at issues of gender and power, and has previously explored her own romantic relationship, the power of celebrity men and how they abuse it (and others), heteronormativy in sex and the process by which women absorb the experiences of our close female friends. Tallulah is currently exploring themes and techniques of audience participation in relation to power, female collaboration and performance in public spaces, domestic abuse and installation. Previous events and venues where Tallulah has performed include Duckie, Low Stakes, Deadline, Latitude Festival, Shuffle Festival, Soho Theatre, Fierce Festival, Tits and Tinsel, The Royal Vauxall Tavern, Bethnal Green Working Men’s Club and Morge Fest amongst many others. She has previously studied at Marissa Carnesky’s Finishing School, as well as with artists such as Lauren Barri-Holstein and Daniel Oliver. As a performer her work is frequently collaborative, and she has performed alongside Lucy McCormick, Elijah Harris (see Shared Saliva), Cloud. Bio via - tallulahhaddon.com
Tallulah Haddon
Louise Muskgrove
for Louise Muskgrove in Fantasticland
Suggested by horrorobsessed
Set in modern day; horror-comedy mockumentary. Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts? Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost?
