
Age: 33
female
Born and raised in Montebello, California, an Indigenous Mexican-American actress Chelsea Rendon has been a working actress since the age of 7, after booking a leading role in the feature film "No Turning Back", which went onto win multiple awards for her portrayal of Cristina. She continued to work on shows such as "E.R.", "The Shield", and "Judging Amyas" a child, and recently worked on Disney's "McFarland, USA", starred in Netflix original hit "Bright", and has recurred on Freeform's "The Fosters". Most recognized for her role as Ruthie in the Oscar-nominated film "A Better Life", Chelsea is taking a page from the same book and channeling a young, "woke" activist by the name of Mari in STARZ' upcoming drama "Vida". Chelsea stars alongside Mishel Prada and Melissa Barrera in the half-hour drama series focusing on two Indigenous Mexican-American sisters from the east side of Los Angeles. As an actor who is attracted to empowering female roles, Chelsea draws inspiration from the likes of Viola Davis, Mariska Hargitay and Taraji P. Henson, and hopes to one day produce her content and try her hand in directing. Chelsea enjoys practicing karate, eating her way through the city's best tacos, and finding time to catch up on her favorite televi-sion shows.

Set in modern day; horror-comedy mockumentary. Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts? Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost?

