Age: 40
male
John Francis Daley (born July 20, 1985) is an American filmmaker and actor. He is best known for playing high school freshman Sam Weir on the NBC comedy-drama Freaks and Geeks and FBI criminal profiler Dr. Lance Sweets on the crime drama series Bones, for which he was nominated for a 2014 PRISM Award. He plays keyboards and sings for the band Dayplayer. Daley is also known for his collaborative work with fellow writer and director Jonathan Goldstein, working on various films together. Daley and Goldstein's first work together was co-writing the comedy Horrible Bosses (2011), co-writing The Incredible Burt Wonderstone (2013), co-story writing for Horrible Bosses 2 (2014), and co-writing/co-directing (in their directing debuts) the fifth film in the National Lampoon's Vacation film series, Vacation (2015). The duo were co-writers for Spider-Man: Homecoming (2017) with Jon Watts, Christopher Ford, Chris McKenna, and Erik Sommers, and they co-directed the 2018 comedy Game Night and the 2023 fantasy Dungeons & Dragons: Honour Among Thieves. Description above from the Wikipedia article John Francis Daley, licensed under CC-BY-SA, full list of contributors on Wikipedia.
John Francis Daley
Aaron Hoffman
for Aaron Hoffman in Fantasticland
Suggested by horrorobsessed
Set in modern day; horror-comedy mockumentary. Since the 1970s, FantasticLand has been the theme park where “Fun is Guaranteed!” But when a hurricane ravages the Florida coast and isolates the park, the employees find it anything but fun. Five weeks later, the authorities who rescue the survivors encounter a scene of horror. Photos soon emerge online of heads on spikes outside of rides and viscera and human bones littering the gift shops, breaking records for hits, views, likes, clicks, and shares. How could a group of survivors, mostly teenagers, commit such terrible acts? Presented as a fact-finding investigation and a series of first-person interviews, FantasticLand pieces together the grisly series of events. Park policy was that the mostly college-aged employees surrender their electronic devices to preserve the authenticity of the FantasticLand experience. Cut off from the world and left on their own, the teenagers soon form rival tribes who viciously compete for food, medicine, social dominance, and even human flesh. This new social network divides the ravaged dreamland into territories ruled by the Pirates, the ShopGirls, the Freaks, and the Mole People. If meticulously curated online personas can replace private identities, what takes over when those constructs are lost?
