Age: 82
male
Wallace Michael Shawn (born November 12, 1943) is an American actor, essayist, playwright, and screenwriter. He is known for playing Vizzini in The Princess Bride (1987), Mr. Hall in Clueless (1995), Dr. John Sturgis in Young Sheldon (2017–2024), and voicing Rex in the Toy Story franchise (1995–present). Shawn also appeared in The Bostonians (1984), Prick Up Your Ears (1987), Scenes from the Class Struggle in Beverly Hills (1989), Vanya on 42nd Street (1994), My Favorite Martian (1999), The Double (2013), Maggie's Plan (2015), and Marriage Story (2019). He appeared in six Woody Allen films including Manhattan (1979), Radio Days (1987), and Rifkin's Festival (2020). His television work includes recurring roles as Jeff Engels in The Cosby Show (1987–1991), Grand Nagus Zek in Star Trek: Deep Space Nine (1993–1999), Cyrus Rose in Gossip Girl (2008–2012), and Father Frank Ignatius in Evil (2022–2024). Shawn is also a playwright; his plays include the Obie Award–winning Aunt Dan and Lemon (1985), The Designated Mourner (1996) and Grasses of a Thousand Colors (2008). He wrote and starred, with Andre Gregory, in the 1981 avant-garde drama My Dinner with Andre, and played the title role in A Master Builder (2013), a film adaptation of Henrik Ibsen's play. Haymarket Books published his books Essays (2009) and Night Thoughts (2017). Description above from the Wikipedia article Wallace Shawn, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Wallace Shawn
Bertram
for Bertram in Family Guy: Into the Griffinverse
Suggested by matthewfenner
When Peter Griffin’s latest drunken stunt—a nuclear-level explosion at the Pawtucket Brewery—rips a hole in the fabric of reality, the Griffin family finds themselves hurled into a chaotic multiverse war that’s part Star Wars, part Rick and Morty, and 100% Family Guy. As Quahog collapses into madness, alternate versions of Peter, Lois, and Stewie battle across universes for control of existence itself. From a dystopian Quahog ruled by Meg the Conqueror to a timeline where Brian’s a talking cop car, every world gets darker and more deranged. Amid the chaos, the Griffins must team up with their most absurd variants to undo Peter’s cosmic screw-up before the entire multiverse collapses into an endless cutaway gag. Armed with fart jokes, violent slapstick, and moments of shocking heart, Family Guy: Into the Griffinverse takes the series’ trademark irreverence to R-rated heights. As Stewie and Brian scramble through twisted realities and Lois questions her entire marriage, Peter remains obliviously destructive—believing he’s in a “really long Halloween episode.” From brutal interdimensional fights to fourth-wall-breaking chaos that skewers modern pop culture, the movie pushes every boundary imaginable. In the end, the Griffins learn that no matter how many universes there are, stupidity—especially Peter’s—might just be the one constant holding it all together.
