Age: 60
male
Nathan Crowley (born 28 February 1966) is an English production designer and a former art director, who is best known for his collaborations with Christopher Nolan. He was nominated six times for an Academy Award for Best Production Design for The Prestige (2006), The Dark Knight (2008), Interstellar (2014), Dunkirk (2017), First Man (2018), and Tenet (2020). For The Prestige, he was nominated with set decorator Julie Ochipinti; for The Dark Knight, he was nominated with set decorator Peter Lando; for Interstellar and Dunkirk, he was nominated with set decorator Gary Fettis; and for First Man and Tenet, he was nominated with set decorator Kathy Lucas. Crowley was also nominated five times for the BAFTA Award for Best Production Design for Batman Begins (2005), The Dark Knight (2008), Dunkirk (2017), and First Man (2018). Crowley grew up in Islington, North London. His father and grandfather were both architects. Crowley attended Leighton Park School. After completing a foundation year at the Sir John Cass School of Art, he went on to graduate from Brighton Polytechnic (now the University of Brighton) with a Bachelor of Arts (BA) in Three-dimensional design. He initially worked odd jobs in architecture. Description above from the Wikipedia article Nathan Crowley, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Nathan Crowley
Soundtrack Composer
for Soundtrack Composer in legacy of the planet of the Apes
Suggested by lllaryn34
Apes takeing over the world until the end of the world in the past Centuries after humanity’s downfall, Earth is no longer a planet of men — it is a world ruled by apes. Across shattered continents and reclaimed jungles, tribes of intelligent apes have risen from Caesar’s ashes, building their own empires, guided by fragments of his philosophy — and haunted by their growing thirst for dominance. But deep in orbit, a remnant of humanity still drifts among the stars. Colonel John Bullock (Tom Hardy), a hardened pilot of the U.S. Space Force, awakens from decades of cryogenic stasis aboard a damaged orbital station. Cut off from Earth since the nuclear collapse, his return mission sends him plummeting into an unfamiliar world — one where the ruins of civilization lie buried under the roots of a new order After centuries of struggle between man and ape, peace was no longer possible. What began as scattered conflicts turned into a full-scale war for survival. Humanity’s cities fell one by one — New York, London, Beijing — all overtaken not by armies of soldiers, but by intelligent apes rising from the forests, mountains, and ruins of the old world. The apes had learned, adapted, and evolved faster than humans ever expected. Under the guidance of their new warlords — the successors of Caesar’s fractured line — they no longer sought coexistence. They sought dominion.
