
Age: 59
male
Paul Edward Valentine Giamatti (/ˌdʒiːəˈmɑːti/JEE-ə-MAH-tee; born June 6, 1967) is an American actor. His accolades include a Primetime Emmy Award, three Golden Globes, and nominations for two Academy Awards and a British Academy Film Award. After studying acting at the Yale School of Drama, he performed in numerous theatrical productions. Giamatti debuted on Broadway, portraying Ezra Chater in the Tom Stoppard play Arcadia (1995). Later that year, he played the Rev. Donald "Streaky" Bacon in the David Hare play Racing Demon (1995). He returned to theatre in the revivals of Anton Chekhov's Three Sisters (1997) and Eugene O'Neill's The Iceman Cometh (1999). Giamatti's breakout film role was in Private Parts (1997), followed by roles in My Best Friend's Wedding (1997), Saving Private Ryan (1998), and Man on the Moon (1999). He won acclaim for his leading roles in American Splendor (2003), Sideways (2004), Win Win (2011), and Private Life (2018). He has also acted in Planet of the Apes (2001), The Illusionist (2006), Fred Claus (2007), The Ides of March (2011), 12 Years a Slave (2013), Saving Mr. Banks (2013), Love & Mercy (2014), and Straight Outta Compton (2015). He has earned Academy Award nominations for Best Supporting Actor for portraying Joe Gould in Cinderella Man (2005) and Best Actor for playing a disgruntled teacher in The Holdovers (2023). On television, Giamatti played the role in the HBO miniseries John Adams (2008), earning him acclaim and several awards, including a Primetime Emmy and Golden Globe. He starred as U.S. Attorney Chuck Rhoades Jr. in the Showtime television series Billions (2016–2023). He earned Emmy nominations for his roles as Ben Bernanke in the HBO film Too Big to Fail (2011) and Harold Levinson in the ITV series Downton Abbey (2013). In the Netflix anthology series Black Mirror episode Eulogy (2025), he played a grieving lover. Description above from the Wikipedia article Paul Giamatti, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Welcome to Mae Pruett’s Los Angeles, where “Nobody talks. But everybody whispers.” As a “black-bag” publicist tasked not with letting the good news out but keeping the bad news in, Mae works for one of LA’s most powerful and sought-after crisis PR firms, at the center of a sprawling web of lawyers, PR flaks, and private security firms she calls “The Beast.” They protect the rich and powerful and depraved by any means necessary. After her boss is gunned down in front of the Beverly Hills Hotel in a random attack, Mae takes it upon herself to investigate and runs headfirst into The Beast’s lawless machinations and the twisted systems it exists to perpetuate. It takes her on a roving neon joyride through a Los Angeles full of influencers pumped full of pills and fillers; sprawling mansions footsteps away from sprawling homeless encampments; crooked cops and mysterious wrecking crews in the middle of the night. Edgar Award-winner Jordan Harper’s Everybody Knows is addicting and alarming, a “juggernaut of a novel” and “an absolute tour de force.” It is what the crime novel can achieve in the modern age: portray the human lives at the center of vast American landscapes, and make us thrill at their attempts to face impossible odds.

