Age: 31
female
Zoey Francis Chaya Thompson Deutch (born November 10, 1994) is an American actress. She is daughter of director Howard Deutch and actress-director Lea Thompson. She gained recognition for her roles in the film Everybody Wants Some!!, the Netflix comedy series The Politician, and the film Set It Up. Deutch began her career with roles on the Disney Channel comedy series The Suite Life on Deck (2010–2011) and The CW crime drama series Ringer (2011–2012). Following her credited film debut in the gothic romance film Beautiful Creatures (2013), she starred in the fantasy horror film Vampire Academy (2014), for which she received a Teen Choice Award nomination. Deutch achieved critical praise for her roles in numerous films, including Richard Linklater's Everybody Wants Some!! (2016), Why Him? (2016), Before I Fall (2017), Flower (2017), and Rebel in the Rye (2017), for which she has received awards from the Dallas International Film Festival and the SCAD Savannah Film Festival. In 2017, her mother directed her and her sister Madelyn in the comedy-drama film The Year of Spectacular Men, which Deutch also co-produced. She went on to star in the critically acclaimed romantic comedy Set It Up (2018), the zombie comedy Zombieland: Double Tap (2019), and the comedy-drama Buffaloed (2019), which she also produced.
Eternal Flame is a gripping four-part dramatic limited series that chronicles the meteoric rise and devastating collapse of the iconic 1980s band The Bangles. Framed through the shifting, often contradictory memories of its members, the series uncovers the raw reality behind the glossy MTV image. The story begins in the gritty 1981 Los Angeles "Paisley Underground" scene, where the Peterson sisters, Susanna Hoffs, and Annette Zilinskas forge a fierce, democratic pact to build a leaderless rock-and-roll democracy. Rebranded as The Bangles and joined by seasoned bassist Michael Steele, they conquer the underground club circuit with their raw garage-rock sound.However, when global pop deity Prince gifts them "Manic Monday" and major label executives at Columbia Records realize the camera's intense fixation on Susanna, the band’s egalitarian dream is pushed to the brink. Swept up in the corporate machinery of the late-'80s music industry, the women find their gritty artistic identity actively commodified, polished, and packaged into slick pop perfection. As massive commercial hits like "Walk Like an Egyptian" and "Eternal Flame" rocket them to global arena stardom, heavy-handed management and toxic media narratives aggressively isolate Susanna, branding the group as a singer and her backup band.Stretched to the absolute breaking point by relentless touring, exhaustion, and unaddressed creative friction, the band's internal sisterhood cracks. The tension culminates in a chaotic, legendary 1989 blowout concert on a literal slab of unfinished concrete at the Houston Beltway 8 freeway opening, where the group dramatically implodes. Rich in period detail, complex relationships, and authentic musicality, Eternal Flame strips away cheap '80s nostalgia to deliver a fierce, empathetic, and honest examination of systemic industry sexism, the high price of mega-stardom, and the tragic cost of creative compromise.
