Age: 79
male
Frank Wilton Marshall (born September 13, 1946) is an American film producer and director. He often collaborates with his wife, film producer Kathleen Kennedy, with whom he founded the production company Amblin Entertainment, along with Steven Spielberg. In 1991, he founded, with Kennedy, The Kennedy/Marshall Company, a film production company. Since May 2012, with Kennedy taking on the role of President of Lucasfilm, Marshall has been Kennedy/Marshall's sole principal. Marshall has worked with directors such as Spielberg, Paul Greengrass, Peter Bogdanovich, David Fincher, M. Night Shyamalan, and Robert Zemeckis. He has also directed the films Arachnophobia (1990), Alive (1993), Congo (1995), Eight Below (2006), and the documentaries The Bee Gees: How Can You Mend a Broken Heart (2020), Jazz Fest: A New Orleans Story (2022) and The Beach Boys (2024). Marshall has produced various successful film franchises, including Indiana Jones, Back to the Future, Bourne, and Jurassic Park, and has received five Academy Award nominations for Best Picture. His other accolades include the Irving G. Thalberg Memorial Award, bestowed by the Academy of Motion Picture Arts and Sciences to "creative producers, whose bodies of work reflect a consistently high quality of motion picture production", the David O. Selznick Achievement Award in Theatrical Motion Pictures, a Grammy Award, a Sports Emmy Award, and a Tony Award. Marshall is one of the few people to have received an Emmy, Grammy, Oscar, and Tony (EGOT), with one of the awards being non-competitive. Description above from the Wikipedia article Frank Marshall (filmmaker), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Insurance investigator Virginia "Gin" Baker, looking into a stolen Rembrandt painting, suspects that accomplished thief Robert "Mac" MacDougal is responsible. She decides to go undercover and help Mac steal an ancient artifact. When a suspicious Mac confronts Gin about her real intentions, she claims that she is, in fact, a thief and that the insurance job is a cover. To prove it, she proposes a new target that could net them $8 billion.
