Age: 65
male
Rob Marshall (born October 17, 1960) is an American theater director, film director and choreographer. He is a six-time Tony Award nominee, Academy Award nominee, Golden Globe nominee and four-time Emmy winner whose most noted work is the 2002 Academy Award Best Picture winner Chicago. Marshall was born in Madison, Wisconsin and raised in Pittsburgh, Pennsylvania. He debuted in the film industry with the Emmy Award-wining TV adaptation of the musical Annie by Charles Strouse and Martin Charnin. After that he went on to direct the much anticipated adaptation of the Kander and Ebb musical Chicago in 2002 for which he was nominated for an Academy Award for Best Director. His next feature film was the drama Memoirs of a Geisha based on the best-selling book of the same name by Arthur Golden starring Zhang Ziyi, Gong Li, Michelle Yeoh and Ken Watanabe. The film went on to win three Academy Awards and gross $162,242,962 at the worldwide box office. In 2009, Marshall directed Nine, an adaptation of the hit Broadway production with the same name starring Daniel Day-Lewis, Marion Cotillard, Nicole Kidman, Sophia Loren and Penélope Cruz, who was nominated for an Academy Award for Best Supporting Actress. Marshall then went on to direct Pirates of the Caribbean: On Stranger Tides, the fourth chapter of Disney's Pirates of the Caribbean film series starring Johnny Depp, Ian McShane, Penélope Cruz and Geoffrey Rush, which is set to open on May 20, 2011. Description above from the Wikipedia article Rob Marshall, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Elisabeth is a Viennese, German-language musical commissioned by the Vereinigte Bühnen Wien (VBW), with book/lyrics by Michael Kunze and music by Sylvester Levay. Based on the tragic life and death of legendary Austrian Empress, Elisabeth of Austria ("Sisi") wife of Emperor Franz Joseph I. It is narrated from beyond the grave by Luigi Lucheni, the Italian anarchist who assassinated her in 1898. Elisabeth recounts the enthralling tale of her fatal, lifelong love affair with Death, heralding the decline of the Habsburg Empire. Focussing on Elisabeth’s struggle against the stifling constraints of imperial protocol, her determination to assert her own identity, her reaction to the tragic fate of her son, Rudolf, and her morbidly romantic, lifelong love affair with Death–who is here presented as a dashing and darkly charming seducer. For more than three decades now, ELISABETH has been playing in a class of its own: since its world premiere in 1992 at Vienna’s Theater an der Wien, the musical has been translated into seven languages and seen by over ten million spectators worldwide, making it the most successful German-language musical of all time.
