Age: 38
male
Thomas Andrew Felton (born September 22, 1987) is an English actor who played Draco Malfoy in the film adaptations of the best-selling Harry Potter fantasy novels by J. K. Rowling. Born in Surrey, Felton began appearing in commercials and made his screen debut in the role of Peagreen Clock in The Borrowers (1997). He portrayed Louis T. Leonowens in Anna and the King (1999) before being cast in Harry Potter and the Philosopher's Stone (2001). Felton appeared in seven sequels until the final film, Harry Potter and the Deathly Hallows – Part 2 (2011). Felton appeared in the sci-fi film Rise of the Planet of the Apes (2011). He was subsequently cast in indie films From the Rough (2011) and The Apparition (2012). Felton starred as Viscount Trencavel in the historical miniseries Labyrinth and as James Ashford in the period drama Belle (2013), which released to critical acclaim. In 2015, he reoccured as a murder suspect in TNT's Murder in the First. Felton appeared in Message from the King and A United Kingdom, which premiered at the 2016 Toronto International Film Festival. He portrayed Doctor Alchemy on The CW's The Flash, based on the comic books of the same name. Felton co-starred in drama film Feed (2017), action-thriller Stratton (2017), and biographical film Megan Leavey (2017). Felton was a series regular on the 2018 sci-fi series Origin and appeared as Laertes in Claire McCarthy's Ophelia (2018), both to critical praise. Felton portrayed the villain in family-horror A Babysitter's Guide to Monster Hunting (2020).
Tom Felton
Crown Prince Rudolf
for Crown Prince Rudolf in Elisabeth The Musical
Suggested by syaramogot
Elisabeth is a Viennese, German-language musical commissioned by the Vereinigte Bühnen Wien (VBW), with book/lyrics by Michael Kunze and music by Sylvester Levay. Based on the tragic life and death of legendary Austrian Empress, Elisabeth of Austria ("Sisi") wife of Emperor Franz Joseph I. It is narrated from beyond the grave by Luigi Lucheni, the Italian anarchist who assassinated her in 1898. Elisabeth recounts the enthralling tale of her fatal, lifelong love affair with Death, heralding the decline of the Habsburg Empire. Focussing on Elisabeth’s struggle against the stifling constraints of imperial protocol, her determination to assert her own identity, her reaction to the tragic fate of her son, Rudolf, and her morbidly romantic, lifelong love affair with Death–who is here presented as a dashing and darkly charming seducer. For more than three decades now, ELISABETH has been playing in a class of its own: since its world premiere in 1992 at Vienna’s Theater an der Wien, the musical has been translated into seven languages and seen by over ten million spectators worldwide, making it the most successful German-language musical of all time.
