Age: 77
female
Patti Ann LuPone (born April 21, 1949) is an American actress and singer, who is best known for her work in stage musicals. She has won two Grammy Awards, two Tony Awards, and two Olivier Awards. She is also a 2006 American Theater Hall of Fame inductee. On television, LuPone played Lady Bird Johnson in the 1987 TV movie, LBJ: The Early Years, starred in the drama series Life Goes On (1989–1993) and received Emmy Award nominations for the TV movie The Song Spinner (1995) and her guest role in the sitcom Frasier (1998). In the 1990s she had a recurring role as defense attorney Ruth Miller on Law & Order. She also had recurring roles in two Ryan Murphy FX series, the thriller American Horror Story: Coven (2013–2014) and the drama Pose (2019), as well as on Murphy's Hollywood on Netflix. She guest starred in Penny Dreadful (2014–2016) before returning in a lead role. She voices the character Yellow Diamond in the animated series Steven Universe (2013–2019) and its epilogue series Steven Universe Future (2019–2020). She also appeared on The CW comedy Crazy Ex-Girlfriend as Rabbi Shari (2017). LuPone appeared in the Oscar-winning films Witness (1985) and Driving Miss Daisy (1989) and also was featured in State and Main (2000), Parker (2013), and The Comedian (2016). LuPone has a mezzo-soprano vocal range, and she is famous for her strong/high "Broadway" belt singing voice. In a 2008 interview, she maintained that she was "an actor who sings", and thankful she "had a voice"
Patti LuPone
Archduchess Sophie
for Archduchess Sophie in Elisabeth The Musical
Suggested by sy_syara
Elisabeth is a Viennese, German-language musical commissioned by the Vereinigte Bühnen Wien (VBW), with book/lyrics by Michael Kunze and music by Sylvester Levay. Based on the tragic life and death of legendary Austrian Empress, Elisabeth of Austria ("Sisi") wife of Emperor Franz Joseph I. It is narrated from beyond the grave by Luigi Lucheni, the Italian anarchist who assassinated her in 1898. Elisabeth recounts the enthralling tale of her fatal, lifelong love affair with Death, heralding the decline of the Habsburg Empire. Focussing on Elisabeth’s struggle against the stifling constraints of imperial protocol, her determination to assert her own identity, her reaction to the tragic fate of her son, Rudolf, and her morbidly romantic, lifelong love affair with Death–who is here presented as a dashing and darkly charming seducer. For more than three decades now, ELISABETH has been playing in a class of its own: since its world premiere in 1992 at Vienna’s Theater an der Wien, the musical has been translated into seven languages and seen by over ten million spectators worldwide, making it the most successful German-language musical of all time.
