
Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Years after the events of 'No Time To Die', the world of espionage is left without its most iconic agent, James Bond. The new era of spies is introduced as the MI6 recruits three new agents, each with their own unique skills and abilities. The trio, Johanna Harwood aka 003, Joseph Dryden aka 004 and Sid Bashir aka 009, are tasked with taking down the latest threat to global security, Tech billionaire Sir Bertram Paradise. Paradise claims to have the solution to the climate crisis, but the new agents must uncover the truth behind his motives and stop him from causing chaos. With the future of the planet at stake, the agents must navigate a dangerous web of lies and deceit in a race against time to prevent disaster. Will they be able to fill the shoes of the legendary Bond and save the world in the new era of spy thrillers?
