
Age: 42
female
Rebecca Louisa Ferguson Sundström (born 19 October 1983) is a Swedish actress. She is bilingual and has worked extensively in Sweden, Great Britain, and mainly in the United States. Ferguson began her television acting career in 1999 with the Swedish soap opera Nya Tider, and she made her motion picture debut in 2004 with the Swedish slasher film Drowning Ghost. She came to international prominence with her portrayal of Elizabeth Woodville in the British BBC drama The White Queen (2013), for which she was nominated for a Golden Globe for Best Actress in a Miniseries or Television Film. Ferguson starred as MI6 agent Ilsa Faust, opposite Tom Cruise, in three of the Mission: Impossible films: Rogue Nation (2015), Fallout (2018), and Dead Reckoning Part One (2023). She played Jenny Lind in the musical film The Greatest Showman (2017), starred in the horror films Life (2017) and Doctor Sleep(2019), and had supporting parts in the comedy-drama Florence Foster Jenkins (2016), the thriller The Girl on the Train (2016), and the science fiction films Dune(2021) and Dune: Part Two (2024). In 2023, she began starring in the Apple TV+science fiction series Silo. Description above from the Wikipedia article Rebecca Ferguson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Rebecca Ferguson

UNDERSECRETARY
for UNDERSECRETARY in DOUBLE BLIND
Suggested by atlantispictures

Tagline & Synopsis Primary Tagline: “Trust no one. Least of all her.” Alternate Tagline: “Two agents. One truth. No exit.” Synopsis (festival + studio ready): When a legendary European covert operative and a volatile American field analyst are separately assigned to bring down the same elusive data-broker, each is told the same lie: the other woman is the target. As their parallel missions collide across Lisbon, Dubai, Tokyo and Mexico City, encrypted leaks and staged betrayals turn the world’s media into a weaponized jury, forcing them to question every handler, every dossier—and each other. Hunted by their own agencies and trending worldwide as villains and heroes in alternating cycles, the two must decide whether to complete the kill order or break the system that turned trust into a disposable asset.