
Died at 100
male
Rock Hudson (born Roy Harold Scherer Jr.; November 17, 1925 – October 2, 1985) was an American actor. One of the most popular movie stars of his time, he had a screen career spanning more than three decades. A prominent heartthrob in the Golden Age of Hollywood, he achieved stardom with his role in Magnificent Obsession (1954), followed by All That Heaven Allows (1955), and Giant (1956), for which he received a nomination for the Academy Award for Best Actor. Hudson also found continued success with a string of romantic comedies co-starring Doris Day: Pillow Talk (1959), Lover Come Back (1961), and Send Me No Flowers (1964). During the late 1960s, his films included Seconds (1966), Tobruk (1967), and Ice Station Zebra (1968). Unhappy with the film scripts he was offered, Hudson turned to television and was a hit, starring in the popular mystery series McMillan & Wife (1971–1977). His last role was as a guest star on the fifth season (1984–1985) of the primetime ABC soap opera Dynasty, until AIDS-related illness made it impossible for him to continue. Although discreet regarding his sexual orientation, it was a known fact amongst Hudson's colleagues in the film industry that he was a gay man. In 1984, Hudson was diagnosed with AIDS. The following year, he became one of the first celebrities to disclose his AIDS diagnosis. Hudson was the first major celebrity to die from an AIDS-related illness, on October 2, 1985, at age 59. Description above from the Wikipedia article Rock Hudson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Rock Hudson

Frank
for Frank in Don't Worry Darling: 60's Edition
Suggested by nathanbates

Alice and Jack are lucky to be living in the idealized community of Victory, the experimental company town housing the men who work for the top-secret Victory Project and their families. The 1950's societal optimism espoused by their CEO, Frank--equal parts corporate visionary and motivational life coach--anchors every aspect of daily life in the tight-knit desert utopia. While the husbands spend every day inside the Victory Project Headquarters, working on the "development of progressive materials," their wives--including Frank's elegant partner, Shelley--get to spend their time enjoying the beauty, luxury and debauchery of their community. Life is perfect, with every resident's needs met by the company. All they ask in return is discretion and unquestioning commitment to the Victory cause. But when cracks in her idyllic life begin to appear, exposing flashes of something much more sinister lurking beneath the attractive façade, Alice can't help questioning exactly what they're doing in Victory, and why. Just how much is Alice willing to lose to expose what's really going on in this paradise?




