
Age: 63
male
Ian James Corlett (born August 29, 1962) is a Canadian animation voice artist, writer, and musician. He is the creator of Studio B Productions' animated series Being Ian and Yvon of the Yukon. In addition to programming some drum tracks and helping with some computer sequences on Queensrÿche's album Operation: Mindcrime, and also selling the band some music gear in the 1990s, Corlett also lent his voice to several animated series produced/dubbed in Canada. His most notable voice roles include Mega Man in the eponymous animated show, Cheetor in Beast Wars: Transformers, Glitch-Bob in ReBoot, and Andy Larkin in What's with Andy?. Another notable, yet brief, starring role of Corlett's was Goku in Ocean Productions' dub of the first season of Dragon Ball Z. Corlett has also lent his voice to less known DIC Entertainment shows such as Super Duper Sumos and Sonic Underground. He also voiced Mr. Cramp in The Cramp Twins. In Salty's Lighthouse he played Ten Cents, O.J., Zip, Zebedee and Lord Stinker. Through a coincidence, Corlett who voiced Dr. Wily in DIC's video-game oriented cartoon Captain N: The Game Master would later voice his arch-nemesis Mega Man in the Ruby-Spears cartoon adaptation of the games. His best known role was playing Filbert on DiC Entertainment and BKN's Pocket Dragon Adventures. He currently lives in Vancouver with his wife and two children. Description above from the Wikipedia article Ian James Corlett, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Ian James Corlett

Director
for Director in Disney’s PB&J Otter (1986-1988)
Suggested by jacobcoronado

If Disney’s PB&J Otter had aired on the Disney Channel between 1986 and 1988, it would have entered a landscape dominated by classic animated series and early cable television audiences. The show’s light-hearted themes and imaginative storytelling could have contributed to the evolving animation style of the late 1980s, potentially influencing younger viewers with its positive messages and quirky characters. Its presence during this era might have established PB&J Otter as a formative part of 1980s children’s programming, possibly impacting the direction of future Disney Channel originals.