
Age: 70
male
Andrés Arturo García Menéndez (born April 12, 1956) is an American actor, director, producer, and musician. He first rose to prominence acting in Brian De Palma's The Untouchables (1987) alongside Kevin Costner, Sean Connery, and Robert De Niro. He continued to act in films such as Stand and Deliver (1988), and Internal Affairs (1990). He then co-starred in Francis Ford Coppola's The Godfather Part III (1990) as Vincent Mancini, for which he was nominated for the Academy Award for Best Supporting Actor. He continued to act in Hollywood films such as Stephen Frears' Hero (1992), the romantic drama When a Man Loves a Woman (1994), and the action thriller Desperate Measures (1998). In 2000, he produced and acted in the HBO television film, For Love or Country: The Arturo Sandoval Story (2000), where he received a Primetime Emmy Award and a Golden Globe Award nominations. He also starred in Steven Soderbergh's Ocean's Eleven (2001) and its sequels, Ocean's Twelve (2004) and Ocean's Thirteen (2007). In 2005, García directed and starred in the film The Lost City alongside Dustin Hoffman and Bill Murray. He also starred in New York, I Love You (2008), the dramedy City Island (2009), the romantic comedy At Middleton (2013), and the crime thriller Kill the Messenger (2014). He has had supporting roles in Mamma Mia! Here We Go Again, Book Club, The Mule, the HBO television movie My Dinner with Hervé (all 2018), and the title role in the Father of the Bride remake (2022). In 2005, he won both a Grammy and a Latin Grammy Award for producing Cuban musician Cachao's record ¡Ahora Sí!. Description above from the Wikipedia article Andy Garcia, licensed under CC-BY-SA, full list of contributors on Wikipedia.

As a "coma diary", the reader learns of Misty Marie Wilmot as her husband lies senseless in a hospital after a suicide attempt. The story is not exactly told by Misty but through a second-person perspective. Once she was an art student, dreaming of creativity and freedom, but after marrying Peter while they were both still at school and then giving birth to their daughter shortly after, she is eventually brought back to Waytansea Island. It was once quaint, but it has become overrun with tourists. Misty has been reduced to the lowly condition of a mere waitress within a common resort hotel. Peter, before falling into his coma, was building hidden rooms within the houses he was remodeling and scrawling vile messages all over the walls; this is an old habit of builders but it was dramatically overdone in Peter's case. Angry homeowners are suing Misty, and her dreams of artistic greatness have been ruined. But then, as if she was possessed by the spirit of the fabled Waytansea artist Maura Kincaid, Misty begins painting again, excessively and compulsively.
