Age: 23
male
Jaeden Martell (né Lieberher; born January 4, 2003) is an American actor. He began his career as a child actor, with roles in the comedy drama St. Vincent (2014) and science fiction film Midnight Special (2016). His performance in St. Vincent earned him a nomination for the Critics' Choice Movie Award for Best Young Performer. After playing the title character in the drama The Book of Henry (2017), Martell's breakthrough came with his portrayal of Bill Denbrough in the supernatural horror films It (2017) and It Chapter Two (2019). This led to further leading roles in horror films, such as The Lodge (2019) and Mr. Harrigan's Phone (2022). Martell had a supporting role in Rian Johnson's mystery comedy Knives Out (2019). Venturing into projects with more mature themes, he played a reserved teenager accused of murder in the Apple TV+ miniseries Defending Jacob (2020). He has since starred in the comedy films Metal Lords (2022) and Y2K (2024). Description above from the Wikipedia article Jaeden Martell licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jaeden Martell
Tommy Waddell
for Tommy Waddell in Demon Copperhead
Suggested by nickienicks
Anyone will tell you the born of this world are marked from the get-out, win or lose." Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.
