Age: 27
male
Charlie Faulkner Plummer (born May 24, 1999) is an American actor. He began his career as a child actor in short films and made his feature film debut in David Chase's drama Not Fade Away (2012) before landing a lead role in King Jack (2015). In 2017, he gained wider recognition for playing John Paul Getty III in Ridley Scott's thriller All the Money in the World and a troubled teenager in Andrew Haigh's drama Lean on Pete. His performance in the latter earned him the Marcello Mastroianni Award for the best-emerging actor. On television, Plummer made his first prominent appearances on the dramas Boardwalk Empire (2011–2013) and Granite Flats (2013–2015). He has since starred in the Hulu miniseries Looking for Alaska (2019) and portrayed a young Franklin D. Roosevelt in the Showtime series The First Lady (2022). Description above from the Wikipedia article Charlie Plummer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Anyone will tell you the born of this world are marked from the get-out, win or lose." Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.
