Age: 20
female
Mckenna Grace (born June 25, 2006) is an American actress and singer. Born in Grapevine, Texas, she began acting professionally at age five and relocated to Los Angeles, California, as a child. Her earliest roles included Jasmine Bernstein in the Disney XD sitcom Crash & Bernstein (2012–2014) and Faith Newman in the soap opera The Young and the Restless (2013–2015). After several small roles, she starred as a child prodigy in Gifted (2017), a breakthrough for which she received a nomination for the Critics' Choice Movie Award for Best Young Performer. Grace subsequently appeared in the films I, Tonya (2017), Troop Zero (2019), and Captain Marvel (2019). During this time, she appeared in several horror projects, including The Bad Seed (2018), The Haunting of Hill House (2018), and Annabelle Comes Home (2019). For playing the abused teenager Esther Keyes in The Handmaid's Tale (2021–2022), Grace was nominated for the Primetime Emmy Award for Outstanding Guest Actress in a Drama Series, making her the first child recognized for a guest acting Emmy. She appeared in the supernatural comedy films Ghostbusters: Afterlife (2021) and Ghostbusters: Frozen Empire (2024) as Phoebe Spengler, receiving critical praise and a Critics' Choice Super Award nomination. In 2022, Grace wrote, executive produced, and starred in The Bad Seed Returns, and portrayed Jan Broberg in A Friend of the Family. After signing with Photo Finish Records in 2020, Grace released her debut single, "Haunted House", in 2021, as part of the Ghostbusters: Afterlife soundtrack. She released two extended plays in 2023: Bittersweet 16 and Autumn Leaves, which explored pop rock and folk sounds, respectively. Description above from the Wikipedia article Mckenna Grace, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Anyone will tell you the born of this world are marked from the get-out, win or lose." Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.
