
Age: 38
male
Jesse Plemons (/ˈplɛmənz/; born April 2, 1988) is an American actor. He began his career as a child actor and achieved a breakthrough with his role as Landry Clarke in the NBC drama series Friday Night Lights (2006–2011). He subsequently portrayed Todd Alquist in season 5 of the AMC crime drama series Breaking Bad(2012–2013) and its sequel film El Camino: A Breaking Bad Movie (2019). He received his first Primetime Emmy Award nomination for his role as Ed Blumquist in season 2 of the FX anthology series Fargo (2015). He won a Critics' Choice Television Award. He received a second Emmy nomination for his performance in "USS Callister", an episode of the anthology series Black Mirror (2017). Plemons has acted in supporting roles in films such as The Master (2012), Bridge of Spies (2015), Game Night (2018), The Irishman (2019), Judas and the Black Messiah (2021) and Killers of the Flower Moon (2023). He starred in Other People (2016) and I'm Thinking of Ending Things (2020). For playing a rancher in The Power of the Dog (2021), he was nominated for the Academy Award for Best Supporting Actor, and for playing three roles in the anthology film Kinds of Kindness (2024), he won the Cannes Film Festival Award for Best Actor. Description above from the Wikipedia article Jesse Plemons, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Forty-five-year old Jean Dornan cannot escape the shadow of something that happened several decades ago. During a study abroad program in France she had a deeply inappropriate relationship with her professor. When the professor contacts her out of the blue to invite her to his retirement ceremony, she is jolted out of her malaise and filled with the need to understand why the affair derailed her life. Rereading her old diaries, she is shocked to realize her relationship with the professor occurred during the summer of the Bill Clinton–Monica Lewinsky scandal, yet she never saw the parallels. In a frenzy of guilt and regret, she finds herself praying to Monica Lewinsky—as if she were some kind of secular saint, the patron of persecuted and demonized women, perhaps?—and begging Monica’s forgiveness for not understanding everything they had in common. To her shock, Saint Monica appears to her and leads her back in time to reassess what happened. Had Jean merely been weak, stupid, and blind, as she has told herself for years? What was it about her that led to the affair? What did she really do that summer?
