Age: 30
female
Anya-Josephine Marie Taylor-Joy (/ˈænjə/; born 16 April 1996) is an American actress and voice actress. Born in Miami and raised in Buenos Aires and London, she left school at 16 to pursue an acting career. After several minor television roles, her breakthrough came with a leading role in the horror film The Witch (2015). Her career progressed with roles in the horror film Split (2016) and its sequel Glass (2019), the black comedy film Thoroughbreds (2017), and playing Emma Woodhouse in the period drama Emma (2020). Taylor-Joy featured in the television crime drama series Peaky Blinders (2019–2022) and earned international recognition for playing Beth Harmon in the period drama miniseries The Queen's Gambit (2020), winning a Golden Globe Award and a SAG Award, in addition to a nomination for a Primetime Emmy Award. She then starred in the horror film Last Night in Soho (2021), the action films The Northman (2022) and The Gorge (2025), and the black comedy The Menu (2022). She also voiced Princess Peach in the animated film The Super Mario Bros. Movie (2023). She starred as Imperator Furiosa in the apocalyptic film Furiosa: A Mad Max Saga (2024). Description above from the Wikipedia article Anya Taylor-Joy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Anya Taylor-Joy
Monica Lewinsky
for Monica Lewinsky in Dear Monica Lewinsky
Suggested by nickienicks
Forty-five-year old Jean Dornan cannot escape the shadow of something that happened several decades ago. During a study abroad program in France she had a deeply inappropriate relationship with her professor. When the professor contacts her out of the blue to invite her to his retirement ceremony, she is jolted out of her malaise and filled with the need to understand why the affair derailed her life. Rereading her old diaries, she is shocked to realize her relationship with the professor occurred during the summer of the Bill Clinton–Monica Lewinsky scandal, yet she never saw the parallels. In a frenzy of guilt and regret, she finds herself praying to Monica Lewinsky—as if she were some kind of secular saint, the patron of persecuted and demonized women, perhaps?—and begging Monica’s forgiveness for not understanding everything they had in common. To her shock, Saint Monica appears to her and leads her back in time to reassess what happened. Had Jean merely been weak, stupid, and blind, as she has told herself for years? What was it about her that led to the affair? What did she really do that summer?
