Age: 68
male
Bruce Lorne Campbell (born June 22, 1958) is an American actor and filmmaker. He is known best for being Ash Williams in Sam Raimi's Evil Dead horror series, beginning with the short movie Within the Woods (1978). He has also featured in many low-budget cult movies, such as Crimewave (1985), Maniac Cop (1988), Sundown: The Vampire in Retreat (1989), and Bubba Ho-Tep (2002). Campbell had the main roles in the television series The Adventures of Brisco County, Jr. (1993–1994) and Jack of All Trades (2000), and a recurring role as Autolycus, King of Thieves in Hercules: The Legendary Journeys (1995–1999) and Xena: Warrior Princess (1995–1999). He played Sam Axe on the USA Network series Burn Notice (2007–2013) and reprised his role as Ash for the Starz series Ash vs. Evil Dead (2015–2018). He also appeared in The Escort (2015). Campbell directed, produced, and featured in the documentaries Fanalysis (2002) and A Community Speaks (2004); co-wrote, directed, produced, and featured in the movie Man with the Screaming Brain (2005); and directed, produced, and featured in a parody of his career My Name Is Bruce (2007). Campbell is known for frequent collaborations with Raimi, his brother Ted, Josh Becker, and Scott Spiegel. Description above from the Wikipedia article Bruce Campbell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Bruce Campbell
Lewis Hubblehut
for Lewis Hubblehut in Dead Man Slaying
Suggested by alexanderarmstrong
When a bizarre freak accident claims the life of a wildly eccentric satire artist, his corpse suddenly reanimates whenever music plays—slashing his way through a high-society party with choreography, brutal flair, and creativity determined entirely by the genre on the stereo. Synopsis The story centers on a chaotic, high-end mansion party thrown by elite record executives and superficial art critics. The guest of honor—or rather, the main spectacle—is an unhinged, bowl-cut-sporting satire icon whose absurd stunts have kept the industry on its toes. During a heated argument in the mansion's private studio over his refusal to sell out, a freak accident occurs: a heavy vintage speaker rig collapses, instantly pinning and killing him on the spot. Terrified of the legal fallout and public scandal, the corrupt executives decide to cover up the death, dressing his lifeless body up and propping him on a sofa in the middle of the crowded lounge—a literal Weekend at Bernie’s setup. The cover-up seems to be working until the mansion's surround-sound system kicks on. The moment music hits the airwaves, something dark and kinetic takes over the corpse. The dead man snaps upright and goes on an unstoppable killing spree—with his slaying style adapting instantly to whatever track is playing:
