Age: 32
female
Taylor Russell McKenzie (born July 18, 1994) is a Canadian actress and filmmaker. After playing several minor roles, Russell received recognition for starring in the Netflix science fiction series Lost in Space (2018–2021). She rose to prominence with her roles in the drama film Waves (2019), the horror film Escape Room (2019) and its 2021 sequel. She won the Marcello Mastroianni Award for starring in the road movie Bones and All (2022). She performed onstage in the play The Effect from 2023 to 2024. Russell directed the 2020 short documentary film titled The Heart Still Hums, which she co-directed along with Savanah Leaf, which was the base for a movie adaptation by Leaf titled Earth Mama (2023). Description above from the Wikipedia article Taylor Russell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Taylor Russell
Bobbie Jo Faily
for Bobbie Jo Faily in Dead Man Slaying
Suggested by alexanderarmstrong
When a bizarre freak accident claims the life of a wildly eccentric satire artist, his corpse suddenly reanimates whenever music plays—slashing his way through a high-society party with choreography, brutal flair, and creativity determined entirely by the genre on the stereo. Synopsis The story centers on a chaotic, high-end mansion party thrown by elite record executives and superficial art critics. The guest of honor—or rather, the main spectacle—is an unhinged, bowl-cut-sporting satire icon whose absurd stunts have kept the industry on its toes. During a heated argument in the mansion's private studio over his refusal to sell out, a freak accident occurs: a heavy vintage speaker rig collapses, instantly pinning and killing him on the spot. Terrified of the legal fallout and public scandal, the corrupt executives decide to cover up the death, dressing his lifeless body up and propping him on a sofa in the middle of the crowded lounge—a literal Weekend at Bernie’s setup. The cover-up seems to be working until the mansion's surround-sound system kicks on. The moment music hits the airwaves, something dark and kinetic takes over the corpse. The dead man snaps upright and goes on an unstoppable killing spree—with his slaying style adapting instantly to whatever track is playing:
