Age: 87
male
Jonathan Vincent "Jon" Voight (born December 29, 1938) is an American actor. He has received an Academy Award (out of four nominations) and three Golden Globe Awards (out of nine). Voight came to prominence in the late 1960s with his performance as a would-be gigolo in Midnight Cowboy (1969). During the 1970s, he became a Hollywood star with his portrayals of a businessman mixed up with murder in Deliverance (1972), a paraplegic Vietnam veteran in Coming Home (1978), for which he won an Academy Award for Best Actor, and a penniless ex-boxing champion in The Champ (1979). Although his output slowed during the 1980s, Voight received critical acclaim for his performance as a ruthless bank robber in Runaway Train (1985). During the 1990s, he most notably starred as an unscrupulous showman attorney in The Rainmaker (1997). Voight gave critically acclaimed biographical performances during the 2000s, appearing as sportscaster Howard Cosell in Ali (2001), as Nazi officer Jürgen Stroop in Uprising (2001), and as Pope John Paul II in the television film of the same name (2005). Voight is the father of actress Angelina Jolie.
Jon Voight
Alphonse Frankenstein
for Alphonse Frankenstein in David Cronenberg's Frankenstein
Suggested by captainwhaddock
Not much is known about this project, except that it was proposed to David Cronenberg after he made The Fly in 1986 by producer Pierre David, who also produced Cronenberg's film "The Brood". It's surprising that this didn't happen, considering it is such an ideal match. While Mary Shelly's book isn't very body horror, the idea of creating a monster out of other people’s body parts is the basis of body horror. We know that Cronenberg wanted to stay closer to Shelley's version of the monster by making him a lot smarter and more sympathetic, like in the Bride of Frankenstein, so clearly, he wanted to do a more book-accurate film version of the tale. I'm fairly certain it would be set in the early 1800s, like the book was, and it would be interesting to see what Cronenberg would do with a period piece, as he has never done one other than Lunch, which was set in 1953. I imagine his version would be like a mix of the 1993 TV movie Frankenstein and Junji Ito's manga version of Frankenstein, with some influences from the Curse of Frankenstein (1957).
