
Age: 40
female
Gemma Christina Arterton (born 2 February 1986) is an English actress and producer. After her stage debut in Shakespeare's Love's Labour's Lost at the Globe Theatre (2007), Arterton made her feature film debut in the comedy St Trinian's (2007). She portrayed Bond Girl Strawberry Fields in the James Bond film Quantum of Solace (2008), a performance which won her an Empire Award for Best Newcomer. Arterton has since appeared in a number of films, including The Disappearance of Alice Creed (2009), Tamara Drewe (2010), Clash of the Titans (2010), Prince of Persia: The Sands of Time (2010), Hansel & Gretel: Witch Hunters (2013), Their Finest (2016), The Escape (2017), and Vita and Virginia (2018). She received the Harper's Bazaar Woman of the Year Award for acting in and producing The Escape. Her theatrical highlights have included starring in The Duchess of Malfi (2014), Made in Dagenham (2014), Nell Gwynn (2016) and Saint Joan (2017). Arterton was nominated for Olivier Awards for her work on both Nell Gwynn and Made in Dagenham, and she won the Evening Standard Theatre Award for the latter. Since 2016, Arterton has run her own production company, Rebel Park Productions, which focuses on creating female-led content in front of and behind the camera. She has executive-produced four feature films and two short films. She is also on record as being a supporter of the Time's Up, ERA 50:50 and MeToo movements. Arterton played an integral role in persuading actresses to wear black at the 2018 BAFTAs in support of Time'sUp, and has been involved with ERA 50:50, an equal pay campaign in the UK, since its inception.

Gemma Arterton

Gwen Conliffe
for Gwen Conliffe in Dark Universe - The Wolf Man (2016)
Suggested by user_244779

Based off of the scrapped idea of the Dark Universe, this series explores the notion that the Universal Classic Monsters were rebooted for the modern day in a cinematic universe like the MCU or the Monsterverse. The series would largely have been comprised of Gothic horror movies, the first few introducing the main monsters and the next phases allowing them to meet, and new monsters to be introduced. Unlike other films in the franchise, this film linked back to a previous remake, acting as a sequel to the 2010 film of the same name and thereby making the 2010 Wolf Man the technical beginning of the series. The film follows members of the London elite after new attacks by a "Wolf-Man" break out. Meanwhile, the culprit, Francis Aberline, is trying to live with his condition as best he can, and wishes to isolate himself as best he can. The story thereby sets up these two threads through the perspective of Francis' niece Mary, who, whilst unaware of her father's affliction, believes there may be more humanity to the wolf man than meets the eye. This film was met with reasonably positive reception, and deemed an improvement over the previous Wolf Man film, but worse than all others in the main Dark Universe that had came before.