Age: 61
male
Michael Benjamin Bay (born February 17, 1965) is an American film director and producer. He is best known for making big-budget, high-concept action films with fast cutting, stylistic cinematography and visuals, and extensive use of special effects, including frequent depictions of explosions. The films he has directed include Bad Boys (1995) and its sequel Bad Boys II (2003), The Rock (1996), Armageddon (1998), Pearl Harbor (2001), the first five films in the Transformers film series, 13 Hours: The Secret Soldiers of Benghazi (2016), 6 Underground (2019), and Ambulance (2022). His films have grossed over US$7.8 billion worldwide, making him one of history's most commercially successful directors. He is co-founder of the production house the Institute and co-owns Platinum Dunes, a production house that has remade horror films, including The Texas Chainsaw Massacre (2003), The Amityville Horror (2005), The Hitcher (2007), Friday the 13th (2009), and A Nightmare on Elm Street (2010). Description above from the Wikipedia article Michael Bay, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Michael Bay
Director
for Director in Daredevil 2: Bullseye (2005)
Suggested by matthewfenner
Two years after the bloody fall of Wilson Fisk, Hell’s Kitchen has only grown darker. Matt Murdock continues his war on crime, but each night leaves him more broken, more haunted by the lives he’s taken and the ones he couldn’t save — especially Elektra’s. When Lester, the assassin once known as Bullseye, resurfaces after surviving a near-fatal spinal reconstruction, the Devil of Hell’s Kitchen learns that evil doesn’t stay buried. Enhanced with experimental military tech that sharpens his already lethal precision, Bullseye returns to New York with one goal: to kill Daredevil and anyone tied to his past. As the bodies pile up, Matt realizes this isn’t just vengeance — it’s a message, carved into the soul of the city. Daredevil 2: Bullseye is a brutal, R-rated descent into obsession and redemption. Matt must face the monster he created in Bullseye, while battling his own crumbling faith and fractured morality. Every fight becomes more personal, every ally a potential casualty. Karen Page, Foggy Nelson, and the few who still believe in Matt are pulled into a storm of blood and justice that threatens to consume them all. In a final, unrelenting showdown across rain-soaked rooftops, Daredevil and Bullseye confront their shared damnation — two broken men bound by rage, and the need to prove which of them truly is the better Man.
