Age: 54
female
Amanda Peet (born January 11, 1972) is an American actress, writer and producer. She began her career with small parts on television, and made her feature film debut in Animal Room (1995). Her portrayal of Jill St. Claire in The Whole Nine Yards (2000) brought her wider recognition, and she has since appeared in a variety of films, such as Saving Silverman (2001), High Crimes; Changing Lanes; Igby Goes Down (all 2002), Something's Gotta Give (2003), Identity (2003), Melinda and Melinda (2004), A Lot Like Love (2005), Syriana (2005), Battle for Terra (2007), Martian Child (2008), The X-Files: I Want to Believe (2008), Please Give (2010), Gulliver's Travels (2010), The Way, Way Back (2013), Identity Thief (2013), and Trust Me (2013). On television, Peet starred as Jacqueline Barrett on The WB's Jack & Jill (1999–2001), as Tina Morris on HBO's Togetherness (2015–2016), as Jules on IFC's Brockmire (2016–2020), and as Betty Broderick on the second season of Dirty John in 2020. She wrote and co-executive produced the Netflix series The Chair that was released in 2021. Description above from the Wikipedia article Amanda Peet, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In New York City, a 17-year-old Sarah Mercer is abducted by a ruthless gang and taken to a hidden club, where she meets their enigmatic and dangerous boss Vincent "Vince" Delacroix (played by Mike Myers). Despite her pleas that she doesn’t belong there, he coldly informs her that none of the other captive girls did either. He has brought them all here to dance—to entertain, to profit him. This place is their home now, whether they accept it or not. Meanwhile, the girl’s desperate parents turn to the NYPD, but there’s a chilling obstacle: the club’s location has never been tracked, existing like a ghost in the city’s underbelly. To rescue her, the authorities must rely on unconventional methods—detecting patterns, finding someone who knows the ins and outs of the underground world. As the investigation unfolds, the film keeps its focus on the boss and the girl, building tension as she struggles against his control, searching for a way out.
