Age: 44
male
Brian Tyree Henry (born March 31, 1982) is an American actor. He rose to prominence for his role as rapper Alfred "Paper Boi" Miles in the FX comedy-drama series Atlanta (2016–2022), for which he received a nomination for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series. Henry had a guest role in This Is Us in 2017 and had his film breakthrough in 2018 with roles in Steve McQueen's heist film Widows and Barry Jenkins' romantic drama If Beale Street Could Talk. He has since appeared in Child's Play (2019), Joker (2019), Godzilla vs. Kong (2021), Bullet Train (2022), and Godzilla x Kong: The New Empire (2024). He portrayed Phastos in the Marvel Cinematic Universe film Eternals (2021). He was nominated for the Academy Award for Best Supporting Actor for playing a grieving man in the drama film Causeway (2022). He also voiced Jefferson Davis in Spider-Man: Into the Spider-Verse (2018) and its sequel, Spider-Man: Across the Spider-Verse (2023) and Megatron in Transformers One (2024). Henry has also appeared on stage, making his debut performance in the Shakespeare in the Park production of Romeo and Juliet (2007) and acting in various plays at the Public Theatre before appearing in the original Broadway cast of The Book of Mormon (2011). In 2014, he appeared in the off-Broadway musical The Fortress of Solitude. For his performance in the 2018 Broadway revival of Kenneth Lonergan's play Lobby Hero, he received a nomination for the Tony Award for Best Featured Actor in a Play. Description above from the Wikipedia article Brian Tyree Henry, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In the remote outback of a small, tight-knit town, whispers spread about a strange sickness unlike anything seen before. Locals claim it begins with a voice: soft, motherly, and hauntingly sweet—singing the old tune “Daisy, Daisy". Those who hear it wander off, entranced, only to return…different. They come back smiling, their faces locked in an unnatural cheerfulness. They talk with a disturbing warmth, as though every word is meant to comfort, yet beneath their cheer lies a violent unpredictability, lashing out without warning. The townsfolk call it “The Daisy Virus,” but no one knows if it’s biological, psychological…or something older and darker. As paranoia spreads, a small group of survivors must uncover the truth: is this an infection born of science gone wrong, or are they being manipulated by something far more sinister that craves to mother and consume them all? Every day the chorus of “Daisy, Daisy” grows louder in the fields, threatening to drown the town in its eerie lullaby.
