Age: 52
female
Vera Ann Farmiga (/fɑːrˈmiːɡə/ far-MEE-gə; born August 6, 1973) is an American actress. Farmiga began her professional acting career on stage in the original Broadway production of Taking Sides (1996). After expanding to television and film, her breakthrough came with her starring role as a drug addict in the drama Down to the Bone (2004). She then had roles in the political thriller The Manchurian Candidate (2004), the crime drama The Departed (2006), and the historical drama The Boy in the Striped Pyjamas (2008). She was also established as a scream queen for her performances in the horror films Joshua (2007) and Orphan (2009). For her performance in the comedy-drama Up in the Air (2009), Farmiga was nominated for an Academy Award and other accolades. She then made her directorial debut with the drama film Higher Ground (2011), in which she had the leading role. She starred in the thrillers Source Code (2011) and Safe House (2012), before furthering her scream queen status by portraying paranormal investigator Lorraine Warren in the Conjuring Universe films The Conjuring (2013), The Conjuring 2 (2016), Annabelle Comes Home (2019), and The Conjuring: The Devil Made Me Do It (2021). She also starred in the legal drama The Judge (2014), the biographical drama The Front Runner (2018), the monster film Godzilla: King of the Monsters (2019), and the crime drama The Many Saints of Newark (2021). On television, Farmiga received Primetime Emmy Award nominations for playing Norma Louise Bates in the A&E drama horror series Bates Motel (2013–2017) and starring in the Netflix miniseries When They See Us (2019). She also appears in the Disney+ miniseries Hawkeye (2021), set in the Marvel Cinematic Universe, and the Apple TV+ miniseries Five Days at Memorial (2022). Description above from the Wikipedia article Vera Farmiga, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Set in the quiet Midwestern town of Ravenwood, Illinois, DAD ATE MOM! follows Ethan Harper, a weary but devoted factory worker and father of three, whose seemingly normal suburban life begins to unravel after his young children start saying things no child should know. Their calm, unsettling statements—about death, mirrors, and things hiding beneath beds—are dismissed as imagination at first, until Ethan’s wife Mary mysteriously vanishes without a trace. As neighbors begin to disappear and the police fail to act, Ethan uncovers disturbing clues hidden inside his own home: childlike drawings, ritualistic patterns, and signs suggesting that something is spreading from family to family. What begins as a psychological mystery escalates into a brutal suburban slasher, where children watch silently from the background and violence feels disturbingly domestic. The film builds toward a chilling revelation—this is not one broken household, but a chain—and ends with a haunting question: what if children aren’t imagining anything at all?
