Age: 52
male
Patrick Joseph Wilson (born July 3, 1973) is an American actor, director, and singer. He began his career in 1995, starring in Broadway musicals. He is a two-time Tony Award nominee for his roles in The Full Monty (2000–2001) and Oklahoma! (2002). He co-starred in the acclaimed HBO miniseries Angels in America (2003), for which he was nominated for both the Golden Globe Award and Primetime Emmy Award for Outstanding Supporting Actor in a Miniseries or a Movie. Wilson has also appeared in films such as The Phantom of the Opera (2004), Hard Candy (2005), Little Children (2006), Watchmen (2009), Insidious (2010), The A-Team (2010), Insidious: Chapter 2 (2013), and as demonologist Ed Warren in the Conjuring Universe (2013–present). He has earned a reputation as a "scream king" due to his frequent casting in horror films. On television, Wilson starred in the CBS drama series A Gifted Man (2011–2012) and as Lou Solverson in the second season of FX's anthology series Fargo (2015), for which he received a second Golden Globe Award nomination. In the DC Extended Universe, he portrayed Orm Marius / Ocean Master in the superhero film Aquaman (2018) and voiced the U.S. President in Batman v Superman: Dawn of Justice (2016). Description above from the Wikipedia article Patrick Wilson (American actor), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Set in the quiet Midwestern town of Ravenwood, Illinois, DAD ATE MOM! follows Ethan Harper, a weary but devoted factory worker and father of three, whose seemingly normal suburban life begins to unravel after his young children start saying things no child should know. Their calm, unsettling statements—about death, mirrors, and things hiding beneath beds—are dismissed as imagination at first, until Ethan’s wife Mary mysteriously vanishes without a trace. As neighbors begin to disappear and the police fail to act, Ethan uncovers disturbing clues hidden inside his own home: childlike drawings, ritualistic patterns, and signs suggesting that something is spreading from family to family. What begins as a psychological mystery escalates into a brutal suburban slasher, where children watch silently from the background and violence feels disturbingly domestic. The film builds toward a chilling revelation—this is not one broken household, but a chain—and ends with a haunting question: what if children aren’t imagining anything at all?
