Age: 57
male
Paul Benjamin Mendelsohn (born 3 April 1969) is an Australian actor. He first rose to prominence in Australia for his break-out role in The Year My Voice Broke (1987). He gained international attention for his starring role in the crime drama Animal Kingdom (2010). He has since had roles in films such as The Dark Knight Rises (2012), Starred Up (2013), Lost River (2014), Mississippi Grind (2015), Rogue One (2016), Darkest Hour (2017), and Ready Player One (2018). Mendelsohn starred in the Netflix drama series Bloodline (2015–2017), for which he won the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series in 2016. He played the Sheriff of Nottingham in Robin Hood (2018). He joined the Marvel Cinematic Universe as Talos in the superhero film Captain Marvel (2019) and the Disney+ series Secret Invasion (2023). He has also starred in the HBO crime miniseries The Outsider (2020). In 2024, he began portraying fashion designer Christian Diorin the television series The New Look. Description above from the Wikipedia article Ben Mendelsohn, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ben Mendelsohn
Detective Harris
for Detective Harris in DAD ATE MOM!
Suggested by roma_007
Set in the quiet Midwestern town of Ravenwood, Illinois, DAD ATE MOM! follows Ethan Harper, a weary but devoted factory worker and father of three, whose seemingly normal suburban life begins to unravel after his young children start saying things no child should know. Their calm, unsettling statements—about death, mirrors, and things hiding beneath beds—are dismissed as imagination at first, until Ethan’s wife Mary mysteriously vanishes without a trace. As neighbors begin to disappear and the police fail to act, Ethan uncovers disturbing clues hidden inside his own home: childlike drawings, ritualistic patterns, and signs suggesting that something is spreading from family to family. What begins as a psychological mystery escalates into a brutal suburban slasher, where children watch silently from the background and violence feels disturbingly domestic. The film builds toward a chilling revelation—this is not one broken household, but a chain—and ends with a haunting question: what if children aren’t imagining anything at all?
