Age: 56
female
Octavia Lenora Spencer (born May 25, 1970) is an American actress. She has received various accolades, including an Academy Award, a British Academy Film Award, and a Golden Globe Award, in addition to nominations for two Primetime Emmy Awards. Spencer made her film debut in the 1996 drama A Time to Kill. Following a decade of brief roles in film and television, her breakthrough came in 2011 when she played a maid in 1960s America in the drama film The Help, which won her the Academy Award for Best Supporting Actress. In ensuing years, she won the National Board of Review Award for Best Supporting Actress for her role in Ryan Coogler's biopic Fruitvale Station (2013), had a recurring role in the CBS sitcom Mom (2013–2015), and starred in the Fox drama series Red Band Society (2014–2015). Spencer's roles as other black women in 1960s America, as Dorothy Vaughan in the biopic Hidden Figures (2016) and a cleaning woman in the fantasy The Shape of Water (2017), earned her two consecutive nominations for the Academy Award for Best Supporting Actress, becoming the first black actress to achieve such feat, as well as the first, and to date only, to be nominated twice after winning. She has since starred in The Divergent Series (2015–16), The Shack (2017), Gifted (2017), Instant Family (2018), Luce (2019), Ma (2019), Onward (2020), and Spirited(2022). She led the Apple TV+ drama series Truth Be Told (2019–2023). She was nominated for the Primetime Emmy Award for Outstanding Lead Actress in a Limited Series or Movie for portraying Madam C. J. Walker in the Netflix miniseries Self Made (2020). As an author, Spencer created the children's book series Randi Rhodes, Ninja Detective. She has published two books in the series: The Case of the Time-Capsule Bandit (2013) and The Sweetest Heist in History (2015). Description above from the Wikipedia article Octavia Spencer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Octavia Spencer
Toriel
for Toriel in Undertale Live Action (Epic) (Real)
Suggested by judgementalautonomy
To be fair, you have to have a very high understanding of games and art to appretiate Undertale. The humor is easy to catch, but without a solid grasp of the exensive history of videogames, and heavy knowledge of ALL RPGs, the true jokes will go over a typical player's head. There's also San's nihlistic outlook and existentialist outlook, which is deftly woven into his characterisation - his personal philosophy draws heavily from the likes of Friedrich Nietzsche and Albert Camus, for instance (both who's ideals have transformed extensive amounts of characters in current time's gaming culture). The true fans understand this stuff; they have the intellectual and mental capacity to truly appreciate the depths of these jokes, to realize they're not just funny - they say something deep about LIFE. As a consequence people who dislike Undertale truly ARE idiots - of course they wouldn't appreciate, for instance, the humour in Papyrus always craving attention, which itself is a cryptic reference to Shigesato Itoi's RPG epic Mother 3. I'm smirking right now just imagining one of those addlepated simpletons scratching their heads in confusion as Toby Fox's genius unfolds itself on their computer screens. What fools... how I pity them. 😂 And yes, by the way, I DO have an Undertale tattoo. And no, you cannot see it. It's for the ladies' eyes only - And even then they have to demonstrate that they're within 5 playthroughs of my own (preferably lower) beforehand.
